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Acknowledgments Introduction 1. The "Primitive" within "Primitivism": Lam's Encounter with the School of Paris 2. Mediating the Sacred and the Profane: Lam's Cuban Work in the 1940s 3. Myth and Totemism: Lam and the New York School, 1942\-1952 4. Surrealism after World War II: Lam in Europe, 1947\-1960 5. "Lo Maravilloso" and the Antillean Ethos: Lam in Cuba and Latin America, 1946\-1960 6. The Demise of Surrealism: Lam and the U.S. Art Scene, 1950\-1980 7. The Artist in the Revolution: Lam in Cuba, 1960\-1982 8. A Shaman for Modern Times: Lam in Europe, 1960\-1982 9. New Means and New Media: Lam's Late Work, 1970\-1982 10. The "Deft Juggler of Cultural Modes": Lam in the Postmodern Context 11. Toward a New Art History: Lam Scholarship in the Twenty-first Century Notes Selected Bibliography Index