Table of contents for Popular cinema of the Third Reich / Sabine Hake.


Bibliographic record and links to related information available from the Library of Congress catalog


Information from electronic data provided by the publisher. May be incomplete or contain other coding.


Counter
Preface
1. Popular Cinema, National Cinema, Nazi Cinema: A Definition of Terms
2. Made in 1933: German-Jewish Filmmakers and the Forced Coordination of the Industry
3. Cinema, Set Design, and the Domestication of Modernism
4. At the Movies: Film Audiences and the Problem of Spectatorship
5. Stars: Heinz Ruhmann and the Performance of the Ordinary
6. Detlef Sierck and Schlußakkord (Final Chord, 1936): A Case Study of Film Authorship
7. The Foreign and the Familiar: On German-American Film Relations, 1933\-1940
8. The Annexation of an Imaginary City: The Topos "Vienna" and the Wien-Film AG
9. The Power of Thought: Redefining Popular Cinema between Realism and Illusionism
10. A Question of Representation: Working Women and Wartime Cinema
11. The Legacies of the Past in the Cinema of Postwar Reconstruction
Notes
Select Bibliography
Index of German Titles and Names
Index



Library of Congress subject headings for this publication: National socialism and motion pictures, Motion pictures Germany History