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Preface 1. Popular Cinema, National Cinema, Nazi Cinema: A Definition of Terms 2. Made in 1933: German-Jewish Filmmakers and the Forced Coordination of the Industry 3. Cinema, Set Design, and the Domestication of Modernism 4. At the Movies: Film Audiences and the Problem of Spectatorship 5. Stars: Heinz Ruhmann and the Performance of the Ordinary 6. Detlef Sierck and Schlußakkord (Final Chord, 1936): A Case Study of Film Authorship 7. The Foreign and the Familiar: On German-American Film Relations, 1933\-1940 8. The Annexation of an Imaginary City: The Topos "Vienna" and the Wien-Film AG 9. The Power of Thought: Redefining Popular Cinema between Realism and Illusionism 10. A Question of Representation: Working Women and Wartime Cinema 11. The Legacies of the Past in the Cinema of Postwar Reconstruction Notes Select Bibliography Index of German Titles and Names Index