Bibliographic record and links to related information available from the Library of Congress catalog.
Note: Electronic data is machine generated. May be incomplete or contain other coding.
I PT. BHATKHANDE MEMORIAL LECTURES: 1992
By Prof. Premlata Sharma
On Indian Concept of Time & The History of Indian Music
Points of Discussion: A Brief Note on the Lectures 2
A Preamble 4
1.1 History: Time & Space 5
1.2 The Western View of History 7
1.3 The Indian View of History 9
2.1 Application to Music : The Textural Tradition 14
2.2 The Formative Period 17
2.3 The Period: Reconciliatory & Re-evaluative 21
2.4 The Modern Period 22
2.5 Music History: The Oral Sources 23
2.6 Archeological Sources 24
2.7 Tasks Ahead : For Me & Others 25
2.8 Methodology: Multi - Disciplinary Approach 26
2.9 Literature I Texts 27
3.1 Formulation of History: The Three Divisions:
- Text, Context & Form : On Text & Context 31
3.2 On Context & Form 38
3.3 In Conclusion 44
II PT. BHATKHANDE MEMORIAL LECTURES : 1998
By Prof. Sushil Kumar Saxena
On Hindustani Music: Some Basic - Aesthetic Reflections
A Preamble 48
1 Introductory 50
2 Music As Art 51
3 Swar and the Making of music 53
4 The Magical In Music 58
5 Rhythm and Aesthetic Experience 59
6 Rhythm: Its Autonomy, Eminence 60
7 The Concept of Raga . 62
8 Music and the Aesthetic Attitude 64
9 Form, Bandish, Cheez 70
10 Music As Expressive 76
11 The Spiritual In Music 78
Notes 81
III PT. BHATKHANDE MEMORIAL LECTURES: 2000
By Dr. Kapila Vatsyayana
On Inter-relationship of the Indian Arts: Theory & Practice
A Preamble 86
1 Subject & Issues for Deliberation 87
2 The Classificatory System and the Evolution of Categories 88
3 A Single Vision , 90
4 Understanding Terms: Theory & Practice, Sastra & Prayoga 92
5 Inter-disciplinary Approach:
- Fundamental to the Study of any Discipline 95
6 An Example of Natyasastra 96
7 A Discussion on the Terms: Marga & Desa 99
8 Movement of Arts: As an Orchestrated Ensemble 102
9 A Concluding Note: Interrelationship 103
About The Authors 111
Library of Congress Subject Headings for this publication: Music India History and criticism