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Acknowledgments Introduction by Kevin L. Stoehr Losing the Plot: Narrative Form and Ethical Identity in Lost Highway Jane Stadler The Order of Rage: Epistemology and the Need for Knowledge in Paul Schrader's Affliction Christopher Fahy The End of Suspicion: Hitchcock, Descartes, and Joan Fontaine Robert . Yanal Ordinary, Extraordinary, Real, and True: Negotiating the Boundaries in Cronenberg's Naked Lunch Amy Lund The Anti-Metaphysics Game: A Wittgensteinian Reading of The Crying Game Richard Gull Platonic Themes in Chris Marker's La Jetee Sander Lee Persistent Ambiguity and Moral Responsibility in Rashomon Robert van Es Citizen Kant: Themes of Consciousness and Cognition in Citizen Kane Dave LeBoeuf Epistemology and the Philosophy of Cinema Matthew Burstein Is It All in Our Imagination? Questioning the Use of the Concept of the Imagination in Cognitive Film Theory Karen Bardsley The Epistemology of Race and Black American Film Noir: Spike Lee's Summer of Sam as Lynching Parable Dan Flory Feminist Film Theory as Ideology Critique Cynthia A. Freeland It's All Ideology, Isn't It? Daniel Shaw Film, Feminism, and Ideology: A Reply to Daniel Shaw and Cynthia Freeland Noel Carroll About the Contributors Index