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I I Cultural Value and Poststructuralist Theory: The Case for a Left-Wing Reception Study 2 Marxism and/as Humanism: The Reception of Hamlet 3 Feminism and Poststructuralist Criticism: The Reception of Pride and Prejudice 4 Conformity and Resistance in High Art: From Thomas Hardy to Toni Morrison 5 Gender, Spies, and Art: lan Fleming, John Le Carre, Mickey Spillane, and Sara Paretsky 6 Orwell as a Neoconservative: The Reception of 1984 7 Critical Realism or Black Moderism? The Reception of Their Eyes Were Watching God (onclusion: The Limits of Reception Study Iibliography Index About the Author vii . I ^ ' r' ' : ':1: