Bibliographic record and links to related information available from the Library of Congress catalog.
Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.
\rrhp\ \lrrh: Contents\ \1h\ Contents \xt\ \comp: add page numbers on page proofs\ Introduction by Aldon Lynn Nelson 1 All Blues: Roots and Extensions A Sense of Community: Blues Music as Primer for Urbanization Authenticity and Elevation: Sterling Brown's Theory of the Blues 2 Learning the Changes "Pass the Biscuits, Please": Lunchtime with Sonny Boy Williamson Bayou City Blues: Lightnin' Hopkins, Juke Boy Bonner, and Peppermint Harris Goin' to Kansas City: Milt Larkin and the Best of the Territory Bands Outward Bound: Eric Dolphy's Migrant Muse 3 America's Classical Music Evolution of the Bop Aesthetic Classical Jazz and the Black Arts Movement "Communicating by Horns": Jazz and Redemption in the Poetry of the Beats and the Black Arts Movement Ascension: Avant-Garde Jazz and the Black Arts Movement 4 Songs for the People Rhythm and Blues au service de Revolution: The Black Arts Movement and Popular Music New and Old Gospel: The Black Arts Movement and Popular Music How You Like Me Now? Rap and the Legacy of the Black Arts Movement An Unfinished Essay by Lorenzo Thomas Works Cited Index \to come\ \eof\
Library of Congress Subject Headings for this publication:
African Americans -- Music -- History and criticism.
Blues (Music) -- History and criticism.
Jazz -- History and criticism.
Black arts movement -- History.