Table of contents for Appropriation / edited by David Evans.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
INTRODUCTION//012
PRECURSORS//024
AGITPROP//048
THE SITUATIONIST LEGACY//064
SIMULATION//074
FEMINIST CRITIQUE//104
POSTCOLONIALISM//126
POSTCOMMUNISM//144
POSTPRODUCTION//160
APPRAISALS//180
BIOGRAPHICAL NOTES//226
BIBLIOGRAPHY//230
INDEX//232
ACKNOWLEDGEMENTS//240
PRECURSORS
Gustave Flaubert Dictionary of Received Ideas,
1881//026
Anon. The Richard Mutt Case, 1917//026
Louis Aragon The Challenge to Painting, 1930//027
Raoul Hausmann Photomontage, 1931//029
André Breton and Paul Éluard The Object, 1938//031
Ruth Berlau Bertolt Brecht¿s War Primer, 1955//032
Georges Didi-Huberman Modest Masterpiece:
Bertolt Brecht¿s War Primer (1955), 2007//032
Guy Debord and Gil J. Wolman Directions for the
Use of Détournement, 1956//035
Marcel Duchamp Apropos of ¿Readymades¿, 1961//040
Andy Warhol Interview with Gene R. Swenson,
1963//041
Jeff Wall On Dan Graham¿s Homes for America
(1966¿67), 1988//043
Reiko Tomii Rebel with a Cause: Akasegawa Genpei¿s
Greater Japan Zero-Yen Note (1967), 2000//045
AGITPROP
Lucy R. Lippard On the Art Workers¿ Coalition:
Q. And babies? A. And babies, 1970//050
Cildo Meireles Insertions in Ideological Circuits,
1970//051
Jean-Luc Godard and Jean-Pierre Gorin Investigation
into an Image, 1972//052
Miguel Orodea Álvarez and Vertov, 1980//056
Susan Stoops Martha Rosler: Bringing the War Home
(1967¿2004), 2007//058
THE SITUATIONIST LEGACY
Guy Debord The Use of Stolen Films, 1989//066
Johan Grimonprez On Dial H-I-S-T-O-R-Y: Interview with
Pierre Bal-Blanc and Mathieu Marguerin, 1998//067
Retort The New 1914 That Confronts Us: Interview with
David Evans, 2007//069
SIMULATION
Douglas Crimp Pictures, 1979//076
Jean Baudrillard The Precession of Simulacra,
1981//080
Sherrie Levine Statement, 1982//081
Michael Newman Simulacra, 1983//082
Richard Prince Interview with Peter Halley, 1984//83
Thomas Crow The Return of Hank Herron, 1986//087
Elisabeth Sussman The Last Picture Show, 1986//092
John Stezaker Interview with John Roberts, 1997//095
David Mellor Media-Haunted Humans: Cindy
Sherman, Richard Prince, John Stezaker, 1998//099
FEMINIST CRITIQUE
Barbara Kruger ¿Taking¿ Pictures, 1982//106
Jo Spence What is a Political Photograph?, 1983//107
Lisa Tickner Sexuality and/in Representation,
1984//108
Barbara Kruger Interview with Anders Stephanson,
1987//111
Laura Mulvey A Phantasmagoria of the Female Body:
The Work of Cindy Sherman, 1991//118
Deborah Cherry Maud Sulter: Zabat (1989), 2003//124
POSTCOLONIALISM
Malek Alloula The Orient as Stereotype and as
Phantasm, 1981//128
Kobena Mercer Maroonage of the Wandering Eye:
Keith Piper, 1996//131
Jorma Puranen Imaginary Homecoming, 1999//135
John C. Welchman Global Nets: Appropriation and
Postmodernity, 2001//137
Okwui Enwezor Créolité and Creolization, 2002//142
POSTCOMMUNISM
Slobodan Mijuskovic Discourse in the Indefinite
Person, 1987//146
Walter Benjamin Interview with Beti Zerovc, 2006//153
Boris Groys Interview with John-Paul Stonard,
2007//157
POSTPRODUCTION
Nicolas Bourriaud Deejaying and Contemporary Art,
2002//162
Katrina M. Brown Douglas Gordon: 24 Hour Psycho
(1993), 2004//167
Lucy Soutter The Collapsed Archive: Idris Khan,
2006//170
David Evans War Artist: Steve McQueen and
Postproduction Art, 2007//173
APPRAISALS
Benjamin H.D. Buchloh Parody and Appropriation
in Francis Picabia, Pop and Sigmar Polke, 1982//182
Douglas Crimp Appropriating Appropriation,
1982//193
Johanna Burton Subject to Revision, 2004//198
Isabelle Graw Fascination, Subversion and
Dispossession in Appropriation Art, 2004//207
Sven Lütticken The Feathers of the Eagle, 2005//212
Jan Verwoert Apropos of Appropriation: Why Stealing
Images Today Feels Different, 2006//219

Library of Congress Subject Headings for this publication:

Appropriation (Art).
Art, Modern -- 20th century.