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CONTENTS Introduction viii Author's note xviii AN OUTLINE OF HIERONYMUS BOSCH'S WORKS The Early Period The Seven Deadly Sins and the Four Last Things (Madrid) 2 The Cure of Folly (Madrid and Amsterdam) 4 The Conjurer (St. Germain-en-Laye) 6 The Adoration of the Magi (Rotterdam and New York) 8 Christ Among the Doctors (Paris and Florence) 9 Epiphany (Philadelphia) 10 The Marriage at Cana (Rotterdam) 11 Ecce Homo (Frankfurt) 12 Death of the Miser (Washington) 13 Christ Carrying the Cross (Vienna and Madrid) 14 The Flood (Rotterdam) 16 Visions of the Hereafter (Venice) 18 The Middle Period The Haywain (Madrid) 20 Ship of Fools (Paris) 24 Allegory of Gluttony and Lust (New Haven) 25 The Temptation of St. Anthony (Lisbon) 26 The Last Judgment (Vienna) 30 St. Jerome/James in Prayer (Ghent) 34 Altarpiece of the Hermit Saints (Venice) 35 Altarpiece of St. Julia (Venice) 36 Christ on the Cross (Brussels) 37 The Group of Bearers of Mankind John the Baptist in the Wilderness (Madrid) 38 St. Christopher (Rotterdam) 40 John the Evangelist on Patmos (Berlin) 42 The Epiphany Triptych (Madrid) 44 The Temptation of St. Anthony (Madrid) 48 The Last Judgment (Cairo) 50 The Late Works The Garden of Celestial Delights (Madrid) 60 The Last Judgment (Bruges) 68 Fragment of a Last Judgment (Munich) 71 The Prodigal Son (Rotterdam) 72 The Adoration of the Holy Child (Cologne) 73 Christ Crowned with Thorns (London and Madrid) 74 Christ Before Pilate (Princeton) 76 Christ Bearing the Cross (Ghent) 77 THE WORK OF THE MASTER Hieronymus Bosch's Conception of the World The origin and authenticity of The Last Judgment in Cairo 78 Problems of chronology 79 The chronology and its consequences 80 Hieronymus Bosch's method of depiction 81 Hieronymus Bosch's sources, the contemporary painters, and his influence 84 Hieronymus Bosch as the father of surrealism (Or: The misinterpretation of a world view) 84 Imaginations or decadent visions? 85 Hieronymus Bosch's conception of the world 86 The Fivefold Image of the Human Being In the Hortus Deliciarum and The Last Judgment in Cairo 90 The fivefold nature of the St. Anthony Altarpiece 91 The fivefold division as temporal threshold 92 The fivefold division as lack of ego-the anti-"I" 93 The fivefold division in the affairs of Bosch's time: the empty ego falls prey to demons 94 The fivefold division in relation to the creation and the elements of human nature 94 The fivefold division and the counterimage to the wisdom of the future the false epiphany 95 Other aspects of the fivefold division 95 The Leitmotif of the Treeman Imagination The tree of knowledge and the earth-brain- the paradisiacal archetype of the Treeman Imagination 96 The motif of the Treeman in Hieronymus Bosch's work- The tree as bearer of the "I" 97 The Treeman in mythology 99 The Treeman in Pieter Bruegel the Elder (1520-1569) 100 The new imagination of the Treeman 102 The Self-portraits of Hieronymus Bosch 102 Jacob Almaengin, Grand Master and Source of Inspiration 105 Bibliography 108 Index of Works 110
Library of Congress Subject Headings for this publication:
Bosch, Hieronymus, d. 1516 -- Criticism and interpretation.
Soul in art.