Table of contents for Still moving : between cinema and photography / Karen Beckman and Jean Ma, editors.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


Counter
Contents
Acknowledgments
Introduction
Karen Beckman and Jean Ma
I. Beyond Referentiality
1. What's the Point of an Index? or, Faking Photographs
Tom Gunning
2. The Interstices of Thought: Photos, Photograms, and the Essayistic
Timothy Corrigan
3. Structural Film: Noise
Juan A. Suørez
II. Nation, Memory, History
4. An Essay on Calendar
Atom Egoyan
5. Photography's Absent Times
Jean Ma
6. The Idea of Still
Rebecca Baron
7. Crash Aesthetics: Amores Perros and the Dream of Cinematic Mobility
Karen Beckman
8. Surplus Memories: From the Slide Show to the Digital Bulletin Board in Jim 
Mendiola's Speeder Kills
Rita Gonzalez
III. Working between Media
9. Photography's Expanded Field
George Baker
10. Weekend Campus
Nancy Davenport
11. Aleph Beat: Wallace Berman between Photography and Film
Louis Kaplan
12. Mental Images: The Dramatization of Psychological Disturbance
Zoe Beloff
13. Concerning "the Photographic"
Raymond Bellour
References
Contributors
Index

Library of Congress Subject Headings for this publication:

Motion pictures.
Photography.
Installations (Art).