Table of contents for The philosophy of Martin Scorsese / edited by Mark T. Conard.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
Introduction
<b>Part 1. Authenticity, Flourishing, and the Good Life</b>
No Safe Haven: Casino, Friendship, and Egoism
Steven M. Sanders
God¿s Lonely Man: Taxi Driver and the Ethics of Vigilantism
Aeon J. Skoble
Goodfellas, Gyges, and the Good Life
Dean A. Kowalski
Mean Streets: Beatitude, Flourishing, and Unhappiness
Mark T. Conard
<b>Part 2. Rationality, Criminality, and the Emotions</b>
The Cinema of Madness: Friedrich Nietzsche and the Films of Martin Scorsese
Jerold J. Abrams
The Age of Innocence: Social Semiotics, Desire, and Constraint
Deborah Knight
After Hours: Scorsese on Absurdity
Jennifer L. McMahon
The Pupkin Gambit: Rationality and Irrationality in The King of Comedy
Richard Greene
<b>Part 3. Vision, Salvation, and the Transcendental</b>
The Last Temptation of Christ and Bringing Out the Dead: Scorsese¿s Reluctant Saviors
Karen D. Hoffman
Flying Solo: The Aviator and Libertarian Philosophy
Paul A. Cantor
Art, Sex, and Time in Scorsese¿s After Hours
Richard Gilmore
The Ethical Underpinnings of Kundun
Judith Barad
Scorsese and the Transcendental
R. Barton Palmer
Contributors
Index

Library of Congress Subject Headings for this publication:

Scorsese, Martin -- Criticism and interpretation.