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Table of Contents INTRODUCTION Christopher Partridge & Eric Christianson PART ONE: MUSIC CHAPTER 1: Satanism and Popular Music. Asbj?rn Dyrendal (Norwegian University of Science and Technology) CHAPTER 2: Between Hymn and Horror Film: How Do We Listen to the Cradle of Filth? Peter Mercer-Taylor (University of Minnesota) CHAPTER 3: When Demons Come Calling: Dealing With the Devil and Paradigms of Life in African American Music Anthony Pinn (Rice University, Houston) CHAPTER 4: Dark Theology: Dissident Commerce, Gothic Capitalism and The Spirit of Rock ?n? Roll Charlie Blake (Liverpool Hope University) PART TWO: FILM CHAPTER 5: Speak of the Devil: The Portrayal of Satan in the Christ Film William R. Telford (University of Durham) CHAPTER 6: Celluloid Vampires, Technology, and the Decline of Religion Titus Hjelm (University of Helsinki) CHAPTER 7: A Man of Wealth and Taste: The Strange Career of Hannibal Lecter Brian Baker (University of Lancaster) CHAPTER 8: Demons of the New Polytheism George Aichele (Adrian College, Michigan) CHAPTER 9: Scriptural Dimensions of Evil: Biblical Text as Timepiece, Talisman, and Tatoo Larry Kreitzer (University of Oxford) PART THREE: LITERATURE CHAPTER 10: James Hogg and the Demons of Scottish Presbyterianism Crawford Gribben (University of Manchester) CHAPTER 11: Voldemort, Death Eaters, Dementors, and the Dark Arts: A Contemporary Theology of Spiritual Perversion in the Harry Potter Stories Colin Duriez Index
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