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Contents Acknowledgments 000 Introduction 000 <b>Part 1: Subjectivity, Knowledge, and Human Nature in Neo-Noir</b> Space, Time, and Subjectivity in Neo-Noir Cinema 000 Jerold J. Abrams Blade Runner and Sartre: The Boundaries of Humanity 000 Judith Barad John Locke, Personal Identity, and Memento 000 Basil Smith Problems of Memory and Identity in Neo-Noir¿s Existentialist Antihero 000 Andrew Spicer <b>Part 2: Justice, Guilt, and Redemption: Morality in Neo-Noir</b> The Murder of Moral Idealism: Kant and the Death of Ian Campbell in The Onion Field 000 Douglas L. Berger Justice and Moral Corruption in A Simple Plan 000 Aeon J. Skoble ¿Saint¿ Sydney: Atonement and Moral Inversion in Hard Eight 000 Donald R. D¿Aries and Foster Hirsch Reservoir Dogs: Redemption in a Postmodern World 000 Mark T. Conard <b>Part 3: Elements of Neo-Noir</b> The Dark Sublimity of Chinatown 000 Richard Gilmore The Human Comedy Perpetuates Itself: Nihilism and Comedy in Coen Neo-Noir 000 Thomas S. Hibbs The New Sincerity of Neo-Noir: The Example of The Man Who Wasn¿t There 000 R. Barton Palmer ¿Anything Is Possible Here¿: Capitalism, Neo-Noir, and Chinatown 000 Jeanne Schuler and Patrick Murray Sunshine Noir: Postmodernism and Miami Vice 000 Steven M. Sanders Contributors 000 Index 000
Library of Congress Subject Headings for this publication:
Film noir -- United States -- History and criticism.