Table of contents for Caricature unmasked : irony, authenticity, and individualism in eighteenth-century English prints / Amelia Rauser.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

List of Illustrations
1. Emblematism and Ideal Publicness
The Emblematic Worldview
Emblems: Ways of Reading
Publicness and Personal Identity
The Values of Publicness: Disinterestedness, Rationality, and Anonymity
2. Character or Caricature?
The 1740s: The Patriot Unmasked
Hogarth's Natural Characters
The Gentleman Caricaturist: George Townshend
The Backlash Against Caricature: The Case of John Wilkes
3. Caricature and Authenticity: Artifice, Masculinity, and the Macaroni
Macaronis and Politeness
Caricaturing the Macaroni
West's ?Death of Wolfe? and Reynolds's Portraits ``As''
Authentic Eccentricity
4. Caricature and Individualism: The Crisis in Representation
Unmasking American Licentiousness
Crises of Representation: Popular Sovereignty and Virtual Representation
Physiognomy, Rhetoric, and the Search for Natural Language
5. Caricature and Irony: Aestheticism, Embodiment, and Subjectivity
The Aestheticization of Political Prints
Irony and Unmasking
Embodying the Nation
Inventing John Bull
Caricature: A Case Study of the Butcher-Kissing Duchess
Epilogue: The Englishness of Caricature in Revolutionary France

Library of Congress Subject Headings for this publication:

Prints, English -- 18th century.
Prints -- Social aspects -- England.
Caricature -- England -- History -- 18th century.
English wit and humor, Pictorial.