Table of contents for The artist as original genius : Shakespeare's "fine frenzy" in late eighteenth-century British art / William L. Pressly.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


Counter
Contents
Acknowledgments
Introduction
The Resurrection of History Painting in British Art
Setting the Stage: Establishing a School of History Painters Native to the Soil
Part I: Challenging Emulation
Tradition's Crippling Burden
Genius, That God Within
Giants and Dwarfs: Imitation, Plagiarism, and Genius
Swift's Fable: Whether 'Tis Nobler to be a Bee or a Spider
The Great Magician: The Promise of Shakespeare's Inspired Example
Boydell's Shakespeare Gallery
Part II: Being a Shakespeare in Art
1. John Hamilton Mortimer and the Primacy of Unbridled Imagination
Horrible Imaginings
Preternatural Beings
Works of Chance
Shakespeare's Legacy
A Sick Man's Dream: The English Salvator Rosa
2. Appearance and Reality: John Hamilton Mortimer's Belisarius and Caius Marius
Defying and Defiling Academic Standards
The Road of Excess
3. The Runciman Brothers
John: As Night Follows the Day
Alexander: The Creator of Tempests, or the Artist as Magician
4. Henry Fuseli: Shakespeare's Painter
Pioneering a New Role for the History Painter in British Art
A Worshiper of Shakespeare
The Apotheosizing of Shakespeare
Fuseli's Participation in Boydell's Shakespeare Gallery: Two Aspects of Imagination---A Fine Frenzy Glowing and the Fairy Way
The Artist as Satanic Creator
5. James Jefferys' Appropriation of Shakespeare's Mantle
Two Self-Portraits: Youthful Imagination Bodies Forth
The Roman Cauldron: An Englishman in Italy
Shakespeare for the Ages: Heroic Nudity
6. James Barry: The Artist as Martyr 
The Lear of British Art
Shakespeare as Barbaric Goth
Imitatio Christi
7. George Romney: The Untutored Genius
The Creative Core: The Shakespearean Connection
The Infant Shakespeare
Romney's Shakespearean Personas
Pleasures of the Imagination: Romney's Historical Drawings
									
Part III: Being a Shakespeare in Poetry
8. Alienation, Persecution, and Liberation through Sacrificial Death
Thomas Chatterton, Bristol's Shakespeare
The Love-Dream of Chatterton's Unrecorded Face
John Flaxman's Memorials to Chatterton
The Dance of Eternal Death: Chatterton as the Inspiration for Blake's Albion Rose
9. Literally Being Shakespeare: W. H. Ireland and Samuel Ireland
Conclusion
The Guts of Modern Brains
Soaring Eagles and the Marketplace
The Aesthetic of Original Genius
Notes
Selected Bibliography
Index

Library of Congress Subject Headings for this publication:

Narrative painting, British -- 18th century.
History in art.