Bibliographic record and links to related information available from the Library of Congress catalog.
Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.
Contents I. The Virtual Life of Film 1. Futureworld 2. The Incredible Shrinking Medium 3. Back to the Future II. What Was Cinema? 4. Film Begets Video 5. The Death of Cinema and the Birth of Film Studies 6. A Medium in All Things 7. Automatisms and Art 8. Automatism and Photography 9. Succession and the Film Strip 10. Ways of Worldmaking 11. A World Past 12. An Ethics of Time III. A New Landscape (without Image) 13. An Elegy for Film 14. The New ?Media? 15. Paradoxes of Perceptual Realism 16. Real Is as Real Does 17. Lost in Translation: Analogy and Index Revisited 18. Simulation, or Automatism as Algorithm 19. An Image That Is Not ?One? 20. Two Futures for Electronic Images, or What Comes after Photography? 21. The Digital Event 22. Transcoded Ontologies, or ?A Guess at the Riddle? 23. Old and New, or the (Virtual) Renascence of Cinema Studies Acknowledgments Illustrations Frame enlargement from 2001: A Space Odyssey (1968) Frame enlargement from Jurassic Park (1993) Man Ray, Self-portrait with camera (1931) Rayography: Film strip and sphere (1922) The Battle of Waterloo (ca. 1820) Mathew Brady, Antietam Dead (1862) The two camera set-ups of Num?ro z?ro (1971) Two frame enlargements from Eloge de l?amour (2003) Frame enlargement from Forrest Gump (1994) The two ?worlds? of The Matrix (1999) Frame enlargement from Arabesque (John Whitney, 1975) Abu Ghraib documentation (2003) Sam Taylor-Wood, Piet? (2001) Raw data from Russian Ark (2002) Frame enlargement from Russian Ark (2002)
Library of Congress Subject Headings for this publication:
Photography -- Digital techniques.
Digital cinematography.