Table of contents for The humanities through the arts / F. David Martin, Lee A. Jacobus.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


Counter
Part I Fundamentals
1 The Humanities:
An Introduction 000
The Humanities: A Study of Values 000
Taste 000
Responses to Art 000
. PERCEPTION KEY: Echo of a Scream 000
. PERCEPTION KEY: Siqueiros and Blume 000
. PERCEPTION KEY: Guernica 000
. PERCEPTION KEY: Composition in
White, Black, and Red 000
Structure and Artistic Form 000
. PERCEPTION KEY: The Eternal City 000
Perception 000
. PERCEPTION KEY: "l(a" 000
Abstract Ideas and Concrete Images 000
. PERCEPTION KEY: "Piano and Drums" 000
Summary 000
Bibliography 000
2 What is a Work of Art? 000
Identifying Art Conceptually 000
. PERCEPTION KEY: Identifying a Work of Art 000
Identifying Art Perceptually 000
Artistic Form 000
. PERCEPTION KEY: Goya and Adams 000
Participation 000
Participation and Artistic Form 000
Content 000
. PERCEPTION KEY: Goya and Adams Revisited 000
Subject Matter 000
Subject Matter and Artistic Form 000
Participation, Artistic Form and Content 000
. PERCEPTION KEY: Adams, Carter, and Goya 000
Artistic Form: Examples 000
. PERCEPTION KEY: Comic Strips and Lichtenstein's
Transformations (Figures 2-7 through 2-16) 000
. PERCEPTION KEY: Comic Strip and
Lichtenstein's Transformations, Pair 2 000
. PERCEPTION KEY: Comic Strips and Lichtenstein's
Transformations, Pairs 3, 4, and 5 000
. PERCEPTION KEY: I Can See the Whole Room . . . and
There's Nobody in It! (Figure 2-7) 000
Subject Matter and Content 000
. PERCEPTION KEY: The Female Nude 000
Summary 000
Bibliography 000
3 Being a Critic of
the Arts 000
You are Already an Art Critic 000
Participation and the Critic 000
Contents
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x CONTENTS
Kinds of Criticism 000
. PERCEPTION KEY: Kinds of Criticism 000
Description Criticism 000
. PERCEPTION KEY: An Experiment
on a Bird in the Air Pump 000
Detail, Regional and Structural Relationships 000
. PERCEPTION KEY: Detail, Regional
or Structural Dominance 000
Interpretive Criticism 000
. PERCEPTION KEY: Sullivan and Le Corbusier 000
Form-Content 000
. PERCEPTION KEY: Yeats's Poem 000
Evaluative Criticism 000
. PERCEPTION KEY: Evaluative Criticism I 000
. PERCEPTION KEY: The Sensation Show 000
. PERCEPTION KEY: Mueck and Saville 000
Summary 000
Bibliography 000
Part II The Arts
4 Painting 000
Your Visual Powers 000
. PERCEPTION KEY: Your Visual Powers 000
The Media of Painting 000
Tempera 000
Fresco 000
Oil 000
Watercolor 000
Acrylic 000
Other Media 000
Pigment and Binders 000
Elements of Painting 000
Line 000
. PERCEPTION KEY: Goya, Frankenthaler,
and Cezanne 000
. PERCEPTION KEY: Fan K'uan 000
Color 000
Texture 000
. PERCEPTION KEY: Texture 000
Composition 000
. PERCEPTION KEY: Principles of Composition 000
. PERCEPTION KEY: Composition 000
The Clarity of Painting 000
. PERCEPTION KEY: Mont Sainte-Victoire 000
The "All-at-Onceness" of Painting 000
Abstract Painting 000
. PERCEPTION KEY: Rothko and Music 000
Intensity and Restfulness 000
. PERCEPTION KEY: Rothko and O'Keeffe 000
Representational Painting 000
Comparison of Five Impressionist
Paintings 000
. PERCEPTION KEY: Comparison of Five
Impressionist Paintings 000
Determining the Subject Matter
of a Painting 000
. PERCEPTION KEY: Frankenthaler 000
Interpretation of the Self: Frida
Kahlo, Romaine Brooks, and
Rembrandt Van Rijn 000
. PERCEPTION KEY: Three Self-Portraits 000
Some Painting Styles of the
Twentieth Century 000
Summary 000
Bibliography 000
5 Sculpture 000
Sculpture and Touch 000
. PERCEPTION KEY: Experiment with Touch 000
Sculpture and Density 000
Sensory Interconnections 000
Sculpture and Painting Compared 000
. PERCEPTION KEY: Rothko and Arp 000
Sunken-Relief Sculpture 000
Low-Relief Sculpture 000
High-Relief Sculpture 000
Sculpture in the Round 000
. PERCEPTION KEY: Pieta 000
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CONTENTS xi
Sensory Space 000
Sculpture and the Human Body 000
. PERCEPTION KEY: Exercise in
Drawing and Modeling 000
Sculpture in the Round and the
Human Body 000
. PERCEPTION KEY: Aphrodite and Venus 000
. PERCEPTION KEY: David, Pieta, and Aphrodite 000
Techniques of Sculpture 000
Contemporary Sculpture 000
Truth to Materials 000
. PERCEPTION KEY: Truth to Materials 000
Space Sculpture 000
. PERCEPTION KEY: Reclininc Figure,
Pelagos, and Brussels Construction 000
Protest against Technology 000
Accommodation with Technology 000
Machine Sculpture 000
. PERCEPTION KEY: Two Lines-Temporal I
and Homage to New York 000
Earth Sculpture 000
. PERCEPTION KEY: Spiral Jetty 000
Sculpture in Public Places 000
. PERCEPTION KEY: Public Sculpture 000
Summary 000
Bibliography 000
6 Architecture 000
Centered Space 000
Space and Architecture 000
Chartres 000
Living Space 000
. PERCEPTION KEY: Buildings 000
Four Necessities of Architecture 000
Technical Requirements of Architecture 000
. PERCEPTION KEY: Parthenon and Chartres 000
Functional Requirements of Architecture 000
. PERCEPTION KEY: Form, Function,
Content, and Space 000
. PERCEPTION KEY: Guggenheim Museum 000
Spatial Requirements of Architecture 000
Revelatory Requirements of Architecture 000
. PERCEPTION KEY: September 11, 2001 000
. PERCEPTION KEY: Values and Architecture 000
Earth-Rooted Architecture 000
Site 000
Gravity 000
Raw Materials 000
. PERCEPTION KEY: Architecture and Materials 000
Centrality 000
Sky-Oriented Architecture 000
. PERCEPTION KEY: Sagrada Familia 000
Axis Mundi 000
Defi ance of Gravity 000
Integration of Light 000
Earth-Resting Architecture 000
Earth-Dominating Architecture 000
. PERCEPTION KEY: Palazzo Farnese 000
. PERCEPTION KEY: The National Gallery
and the New East Wing 000
. PERCEPTION KEY: Earth-
Dominating Architecture 000
Combinations of Types 000
. PERCEPTION KEY: The Palazzo Farnese and
the Long Island Federal Courthouse 000
. PERCEPTION KEY: Gehry 000
Two Contemporary Architects:
Zaha Hadid and Santiago Calatrava 000
. PERCEPTION KEY: Two Architects,
Zaha Hadid and Santiago Calatrava 000
Urban Planning 000
. PERCEPTION KEY: City Planning 000
. PERCEPTION KEY: Three Urban Views 000
Summary 000
Bibliography 000
7 Literature 000
Spoken Language and Literature 000
. PERCEPTION KEY: Dylan Thomas 000
Literary Structures 000
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xii CONTENTS
The Narrative and the Narrator 000
. PERCEPTION KEY: "Piano" 000
. PERCEPTION KEY: "Paralytic" 000
The Episodic Narrative 000
The Organic Narrative 000
. PERCEPTION KEY: William Butler Yeats 000
The Quest Narrative 000
. PERCEPTION KEY: The Quest Narrative 000
The Lyric 000
. PERCEPTION KEY: "When I Have Fears . . . " 000
. PERCEPTION KEY: "Pied Beauty" 000
. PERCEPTION KEY: "A Noiseless Patient Spider" 000
. PERCEPTION KEY: Varieties of Lyric 000
Literary Details 000
Image 000
. PERCEPTION KEY: Conrad's Youth 000
. PERCEPTION KEY: John Donne 000
. PERCEPTION KEY: "The Retired Offi cial
Yuan's High Pavilion" 000
Metaphor 000
. PERCEPTION KEY: Shakespeare's 73rd Sonnet 000
Symbol 000
. PERCEPTION KEY: "The Sick Rose" 000
. PERCEPTION KEY: Crime and Punishment 000
Irony 000
Diction 000
. PERCEPTION KEY: "Upon Julia's Clothes" 000
. PERCEPTION KEY: Psalm 23 000
Summary 000
Bibliography 000
8 Drama 000
Aristotle and the Elements of Drama 000
. PERCEPTION KEY: Shakespeare
and Arthur Miller 000
Dialogue and Soliloquy 000
. PERCEPTION KEY: Soliloquy 000
Imitation and Realism 000
An Alternative Theory of Tragedy 000
. PERCEPTION KEY: Hegel 000
Archetypal Patterns 000
. PERCEPTION KEY: Archetypes 000
Genres of Drama: Tragedy 000
The Tragic Stage 000
. PERCEPTION KEY: The Proscenium Stage 000
Shakespeare's Romeo and Juliet 000
. PERCEPTION KEY: Drama and Music 000
. PERCEPTION KEY: Tragedy 000
Comedy: Old and New 000
. PERCEPTION KEY: Type Characters 000
. PERCEPTION KEY: Old and New Comedy 000
Tragicomedy: The Mixed Genre 000
A Play for Study: The Bear 000
. PERCEPTION KEY: Chekhov's The Bear 000
Musical Comedy 000
. PERCEPTION KEY: Musical Comedy 000
Modern Drama 000
Summary 000
Bibliography 000
9 Music 000
Hearing and Listening 000
. PERCEPTION KEY: Hearing and Listening 000
The Elements of Music 000
Tone 000
Consonance 000
Dissonance 000
Rhythm 000
Tempo 000
Melodic Material: Melody, Theme, and Motive 000
Counterpoint 000
Harmony 000
Dynamics 000
Contrast 000
The Subject Matter of Music 000
Feelings 000
Two Theories: Formalism and
Expressionism 000
Sound 000
. PERCEPTION KEY: The Subject Matter of Music 000
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CONTENTS xiii
Tonal Center 000
. PERCEPTION KEY: "Swing Low, Sweet Chariot" 000
Musical Structures 000
Theme and Variations 000
Rondo 000
Fugue 000
Sonata Form 000
. PERCEPTION KEY: Sonata Form 000
Fantasia 000
The Symphony 000
. PERCEPTION KEY: The Symphony 000
Beethoven's Symphony in E_
Major, No. 3, Eroica 000
Listening Key: The Symphony 000
. PERCEPTION KEY: Movement I 000
. PERCEPTION KEY: Movement II 000
. PERCEPTION KEY: Movement III 000
. PERCEPTION KEY: Movement IV 000
. PERCEPTION KEY: The Eroica 000
Blues and Popular Music 000
. PERCEPTION KEY: Popular Music 000
Summary 000
Bibliography 000
10 Dance 000
Subject Matter of Dance 000
. PERCEPTION KEY: Feeling and Dance 000
. PERCEPTION KEY: Body Language
and States of Mind 000
Form 000
Dance and Ritual 000
Indian Dance 000
The Zuni Rain Dance 000
. PERCEPTION KEY: Dance and
Contemporary Rituals 000
Social Dance 000
The Court Dance 000
. PERCEPTION KEY: Social Dance 000
Ballet 000
. PERCEPTION KEY: Narrative and
Bodily Movement 000
Swan Lake 000
. PERCEPTION KEY: Swan Lake 000
Modern Dance 000
. PERCEPTION KEY: Pretext and Movement 000
Alvin Ailey's Revelations 000
. PERCEPTION KEY: Revelations 000
Martha Graham 000
Pilobolus and Momix Dance Companies 000
Mark Morris Dance Group 000
Twyla Tharp 000
Popular Dance 000
Summary 000
Bibliography 000
11 Film 000
The Subject Matter of Film 000
Directing and Editing 000
. PERCEPTION KEY: Techniques of
Directing and Editing 000
The Participative Experience and Film 000
. PERCEPTION KEY: Film, Drama,
and Participation 000
The Film Image 000
. PERCEPTION KEY: Godard's Weekend 000
. PERCEPTION KEY: Still Frames and Photography 000
Camera Point of View 000
. PERCEPTION KEY: Camera Vision 000
. PERCEPTION KEY: Technique and Film 000
Audience Response to Film 000
Sound 000
. PERCEPTION KEY: Sight and Sound 000
Image and Action 000
Film Structure 000
Filmic Meanings 000
. PERCEPTION KEY: Gesture 000
The Context of Film History 000
Francis Ford Coppola's The Godfather 000
The Narrative Structure of The
Godfather, Parts I and II 000
Coppola's Images 000
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xiv CONTENTS
Coppola's Use of Sound 000
The Power of The Godfather 000
. PERCEPTION KEY: The Godfather 000
A Classic Film: Casablanca 000
. PERCEPTION KEY: Casablanca 000
Experimentation 000
. PERCEPTION KEY: Make a Film 000
Summary 000
Bibliography 000
12 Television and
Video Art 000
The Evolution of Television 000
. PERCEPTION KEY: Television and Cinema 000
The Subject Matter of Television
and Video Art 000
Commercial Television 000
. PERCEPTION KEY: Early Situation Comedies 000
The Structure of the Self-Contained Episode 000
The Television Serial 000
Roots: The Triumph of an American Family 000
Home Box Offi ce: The Sopranos 000
. PERCEPTION KEY: The Sopranos 000
Video Art 000
. PERCEPTION KEY: Bill Viola and
Other Video Artists 000
Summary 000
Bibliography 000
13 Photography 000
Photography and Painting 000
. PERCEPTION KEY: Execution of Lady Jane Grey 000
. PERCEPTION KEY: Photography and Art 000
Photography and Painting:
The Pictorialists 000
. PERCEPTION KEY: Pictorialism
and Sentimentality 000
Straight Photography 000
Stieglitz: Pioneer of Straight Photography 000
. PERCEPTION KEY: The Steerage 000
The F/64 Group 000
The Documentarists 000
. PERCEPTION KEY: The Documentary
Photographers 000
The Modern Eye 000
. PERCEPTION KEY: Art and Censorship 000
Color Photography 000
. PERCEPTION KEY: The Modern Eye 000
Summary 000
Bibliography 000
Part III Interrelationships
14 The Interrelationships
of the Arts 000
Appropriation 000
. PERCEPTION KEY: Opera 000
. PERCEPTION KEY: Architecture 000
Synthesis 000
. PERCEPTION KEY: Cage, Cunningham,
and Rauschenberg 000
. PERCEPTION KEY: Music and Poetry 000
. PERCEPTION KEY: Literature 000
Interpretation 000
Film Interprets Literature: Howards End 000
. PERCEPTION KEY: Howards End 000
Music Interprets Drama:
The Marriage of Figaro 000
. PERCEPTION KEY: Beaumarchais's and
Mozart's The Marriage of Figaro 000
Poetry Interprets Painting: The Starry Night 000
. PERCEPTION KEY: Fagles' and Sexton's
"The Starry Night" 000
Sculpture Interprets Poetry: Apollo and Daphne 000
. PERCEPTION KEY: Ovid's The Metamorphoses
and Bernini's Apollo and Daphne 000
Painting Interprets Dance and Music:
The Dance and Music 000
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CONTENTS xv
. PERCEPTION KEY: Painting and the
Interpretation of The Dance and Music 000
. PERCEPTION KEY: Death in Venice:
Three Versions 000
Summary 000
Bibliography 000
15 Is It Art or Something
Like It? 000
Art and Artlike 000
. PERCEPTION KEY: Theories 000
Illustration 000
Realism 000
. PERCEPTION KEY: Woman with a Purse 000
Folk Art 000
. PERCEPTION KEY: Photography and Film 000
. PERCEPTION KEY: Grandma Moses,
Richard Estes, Henri Rousseau 000
Popular Art 000
. PERCEPTION KEY: Pop Art 000
. PERCEPTION KEY: Norman Rockwell's
Freedom from Want 000
. PERCEPTION KEY: Estes and Rockwell 000
. PERCEPTION KEY: Christina's World 000
Propaganda 000
. PERCEPTION KEY: Propaganda 000
Kitsch 000
. PERCEPTION KEY: Dali and Rockwell 000
Decoration 000
. PERCEPTION KEY: Book of Kells 000
Design 000
. PERCEPTION KEY: Designer Responsibility 000
. PERCEPTION KEY: Design and Other Arts 000
Idea Art 000
Dada 000
. PERCEPTION KEY: Picabia and Schamberg 000
. PERCEPTION KEY: Keith Arnatt 000
Duchampism 000
. PERCEPTION KEY: L.H.O.O.Q. 000
Conceptual Art 000
. PERCEPTION KEY: The Broken Kilometer 000
. PERCEPTION KEY: Conceptual Art 000
Performance Art 000
. PERCEPTION KEY: ATM Piece 000
Shock Art 000
. PERCEPTION KEY: Shock Art 000
Virtual Art 000
. PERCEPTION KEY: Virtual Art 000
. PERCEPTION KEY: Classifi cation 000
Summary 000
Bibliography 000
16 The Interrelationships
of the Humanities 000
The Humanities and the Sciences 000
The Arts and the Other Humanities 000
. CONCEPTION KEY: Artists and Other Humanists 000
. CONCEPTION KEY: Other Humanists and Artists 000
Perceiving and Thinking 000
. CONCEPTION KEY: Perception and Conception 000
Values 000
. CONCEPTION KEY: Participation
with Art and Values 000
. CONCEPTION KEY: The Origin of Value 000
. CONCEPTION KEY: Factual Value
and Normative Value 000
. CONCEPTION KEY: Value Decisions 000
The Arts and History 000
. CONCEPTION KEY: The Arts and History 000
The Arts and Philosophy 000
. CONCEPTION KEY: Ethics and the Arts 000
The Arts and Theology 000
. PERCEPTION KEY: Religious Values and the Arts 000
Summary 000
Bibliography 000
GLOSSARY G-1
CREDITS C-1
INDEX I-1

Library of Congress Subject Headings for this publication:

Arts -- Psychological aspects.
Art appreciation.