Bibliographic record and links to related information available from the Library of Congress catalog.
Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.
TABLE OF CONTENTS Acknowledgments Introduction: "Women's Experimental Cinema: Critical Frameworks" Robin Blaetz "Swing and Sway: Marie Menken's Filmic Events" Melissa Ragona "Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland" Paul Arthur "Excavating Visual Fields, Layering Auditory Frames: Signature, Translation, Resonance, and Gunvor Nelson's Films" Chris Holmlund "Moving and Moving: From Minimalism to Lives of Performers" No¿l Carroll "Eye/Body: The Cinematic Paintings of Carolee Schneemann" M. M. Serra and Kathryn Ramey "'Absently Enchanted': The Apocryphal, Ecstatic Cinema of Barbara Rubin" Ara Osterweil "Amy Greenfield: Film, Dynamic Movement, and Transformation" Robert A. Haller "Barbara Hammer: Lyrics and History" Chuck Kleinhans "Chick Strand's Experimental Ethnography" Maria Pramaggiore "Amnesis Time: The Films of Marjorie Keller" Robin Blaetz "In the Ruins of the Image: The Work of Leslie Thornton" Mary Ann Doane "Sounds, Intervals, and Startling Images in the Films of Abigail Child" Maureen Turim "Peggy's Playhouse: Contesting the Modernist Paradigm" William C. Wees "Su Friedrich: Breaking the Rules" Janet Cutler "The Experimental 'Dunyementary': A Cinematic Signature Effect" Kathleen McHugh "Women's Experimental Cinema: Some Pedagogical Challenges" Scott MacDonald Appendix: Film Distribution Bibliography Contributors Index
Library of Congress Subject Headings for this publication:
Experimental films -- United States -- History and criticism.
Women motion picture producers and directors -- United States.