Table of contents for Women's experimental cinema : critical frameworks / Robin Blaetz, editor.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

Introduction: "Women's Experimental Cinema: Critical Frameworks"
Robin Blaetz
 "Swing and Sway: Marie Menken's Filmic Events"
Melissa Ragona
 "Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland"
Paul Arthur
 "Excavating Visual Fields, Layering Auditory Frames: Signature, Translation, 
Resonance, and Gunvor Nelson's Films"
Chris Holmlund
 "Moving and Moving: From Minimalism to Lives of Performers"
No¿l Carroll
 "Eye/Body: The Cinematic Paintings of Carolee Schneemann"
M. M. Serra and Kathryn Ramey
 "'Absently Enchanted': The Apocryphal, Ecstatic Cinema of Barbara Rubin"
Ara Osterweil
 "Amy Greenfield: Film, Dynamic Movement, and Transformation"
Robert A. Haller
 "Barbara Hammer: Lyrics and History"
Chuck Kleinhans
 "Chick Strand's Experimental Ethnography"
Maria Pramaggiore
 "Amnesis Time: The Films of Marjorie Keller"
Robin Blaetz
 "In the Ruins of the Image: The Work of Leslie Thornton"
Mary Ann Doane
 "Sounds, Intervals, and Startling Images in the Films of Abigail Child"
Maureen Turim
"Peggy's Playhouse: Contesting the Modernist Paradigm"
William C. Wees
 "Su Friedrich: Breaking the Rules"
Janet Cutler
 "The Experimental 'Dunyementary': A Cinematic Signature Effect"
Kathleen McHugh
 "Women's Experimental Cinema: Some Pedagogical Challenges"
Scott MacDonald
Appendix: Film Distribution

Library of Congress Subject Headings for this publication:

Experimental films -- United States -- History and criticism.
Women motion picture producers and directors -- United States.