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Contents ________________________________________________________________ Acknowledgements v Introduction 1 1. Barry Lyndon and the limits of understanding pp 2. The hero as failure: Stanley Kubrick's Eyes Wide Shut pp 3. What the camera took: Bernardo Bertolucci Stealing Beauty pp 4. Personal and national politics in Bernardo Bertolucci's Besieged pp 5. The politics of youth remembered: Bernardo Bertolucci's The Dreamers pp 6. Anima and the political dynamics of cultural stasis: the case of S1m¿ne pp 7. Myths in British documentaries of the 1980s and 1990s pp 8. Westerns, local and global imperialism pp Conclusion pp Filmography pp References pp Index (to follow) pp
Library of Congress Subject Headings for this publication:
Motion pictures -- Psychological aspects.