Table of contents for Beyond the soundtrack : representing music in cinema / edited by Daniel Goldmark, Lawrence Kramer, Richard Leppert.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

Introduction: Phonoplay: Film Music Studies Today 	000
I. Musical Meaning
	The Boy on the Train (or Bad Symphonies and Good Movies): The Revealing 
Error of the "Symphonic Score"
Peter Franklin	000
Representing Beethoven: Romance and Sonata Form in Simon Cellan Jones's Eroica
Nicholas Cook	000
Minima Romantica
Susan McClary	000
Melodic Trains: Music in Polanksi's The Pianist
Lawrence Kramer	000
"Mute Music" in Three Films by Jane Campion (The Piano), Krzystof Kieslowski (Trois 
Couleurs Bleu), and Roman Polanski (The Pianist)
Michel Chion	000
II. Musical Agency
Opera, Aesthetic Violence, and the Imposition of Modernity: Fitzcarraldo
Richard Leppert	
Sight, Sound, and the Temporality of Myth-Making in Koyaanisqatsi
Mitchell Morris	000
How Sound Floats on Land: The Suppression and Release of Folk and Indigenous Musics 
in the Cinematic Terrain
Philip Brophy	000
Auteur Music
Claudia Gorbman	000
Transport and Transportation in Audiovisual Memory
Berthold Hoeckner	000
The Fantastical Gap between Diegetic and Non-Diegetic
Robynn J. Stilwell	000
III. Musical Identity
Early Film Themes: Roxy, Adorno, and the Problem of Cultural Capital
Rick Altman	000
Before Willie; Reconsidering Music and the Animated Cartoon of the 1920s
Daniel Goldmark	000
Side by Side: Nino Rota, Music, and Film
Richard Dyer	000
White Face, Black Noise: Miles Davis and the Soundtrack
Krin Gabbard	000
Men at the Keyboard: Liminal Spaces and the Heterotopian Function of Music 
Gary Thomas	000
Notes on AuthorsContributors	000
Filmography	000
Works Cited	000

Library of Congress Subject Headings for this publication:

Motion picture music -- History and criticism.