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Contents List of Illustrations Preface Acknowledgments Introduction Modernism and the Information-Propaganda Matrix Making Sense of Propaganda: From Orwell and Woolf to Bernays and Ellul Propagating Fictions: Wellington House, Modernism, and the Invention of Modern Propaganda Modernism and the Media of Propaganda: Heart of Darkness and "The Unlighted Coast" Chapter One From Conrad to Hitchcock: Modernism, Film, and the Art of Propaganda Manipulation and Mastery: Film, Novel, Advertising From Novel to Theater to Film to Hollywood: In Search of an Audience Killing Steve: Death by Literalization/Death by Cinematography Picking up the Pieces: Modernism, Propaganda, and Film Chapter Two The Woolfs, Picture Postcards, and the Propaganda of Everyday Life Postcards, Exhibitions, and Empire Woolf and the Culture of Exhibition Education as Propaganda: Bildungsroman, Sex, and Empire Scripting the Body: Colonial Postcards and the Journey Upriver Leonard's Jungle, Conrad's Trees In Virginia's Jungle Destabilizing the Ethnographic Frame and the Returned Stare Empire, Race and the Emancipation of Women From Male Propaganda to Female Modernism Chapter Three Impressionism and Propaganda: Ford's Wellington House Books and The Good Soldier Ford and Wellington House Ford's Critical Writings: Propagating the Impression Impressing Facts: When Blood Is Their Argument and Between St. Dennis and St. George Navigating the Pseudo-Environment in The Good Soldier Chapter Four Joyce and the Limits of Political Propaganda Recruitment and the Art of the Poster Reading Posters/Reading Ulysses Maeve, Bloom, and the Limits of Propaganda Identification, Cultural Predication, and Narrative Structure Carnivalizing Propaganda: Bloom and Stephen in Nighttown Reinventing Ireland: Ulysses and the Art of Dislocation Chapter Five From the Thirties to World War II: Negotiating Modernism and Propaganda in Hitchcock and Welles War, Propaganda, and Film: Pairing Hitchcock and Welles Orson Welles: Theater, Film, and the Art of Propaganda Autonomy and Innovation: From the Studio to the MoI and CIAA Citizen Kane and It's All True: Documentary and Propaganda Bon Voyage, Aventure Malgache, and the Materiality of Communication Coda Notes Index
Library of Congress Subject Headings for this publication:
English fiction -- 20th century -- History and criticism.
Modernism (Literature) -- Great Britain.
Propaganda -- Great Britain -- History -- 20th century.
Motion pictures in propaganda.