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Contents Acknowledgments Introduction Gail Finney Part I. Questions of Methodology and Aesthetics 1. Questions of Methodology in Visual Studies Nora M. Alter 2. The Interarts Experiment in Early German Film Ingeborg Hoesterey 3. From Dance to Film: The Cinematic Art of Leni Riefenstahl and Dorothy Arzner Dagmar von Hoff 4. The Photographic Comportment of Bernd and Hilla Becher Blake Stimson 5. Ready, Set, Made! Joseph Beuys and the Critique of Silence Jan Mieszkowski 6. Las Vegas on the Spree: The Americanization of the New Berlin Janet Ward Part II. Gender and Sexuality 7. Magnus Hirschfeld and the Photographic (Re)Invention of the "Third Sex" David James Prickett 8. (Un)Fashioning Identities: Ernst Lubitsch's Early Comedies of Mistaken Identity Valerie Weinstein 9. Cigarettes, Advertising, and the Weimar Republic's Modern Woman Barbara Kosta 10. Montage and Identity in Brecht and Fassbinder Patrick Greaney 11. Activism, Alterity, Alex & Ali: Writing Germany's First Gay Sitcom Thomas J. D. Armbrecht 12. Gender, Imperialism, and the Encounter with Islam: Ruth Beckermann's Film A Fleeting Passage to the Orient Dagmar C. G. Lorenz Part III. Political Dimensions 13. Cartographic Claims: Colonial Mappings of Poland in German Territorial Revisionism Kristin Kopp 14. Face/Off: Hitler and Weimar Political Photography Lutz Koepnick 15. "Send in the Clowns": Carnivalizing the Heil-Hitler Salute in German Visual Culture Peter Arnds 16. Visual Signaling Systems in East German Political Cabaret: The Case of Berlin's Distel Michele Ricci 17. Reframing Celan in the Paintings of Anselm Kiefer Eric Kligerman Contributors Index
Library of Congress Subject Headings for this publication:
Arts, German -- 20th century.