Table of contents for From Edison to Marconi: the first thirty years of recorded music / David J. Steffen.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

Contents
Acknowledgments	vii
Preface	1
Introduction	7
 1. The Ancients and the Jukebox Phenomenon	15
 2. Inventing the Music Industry	20
 3. Edison's Invention	000
 4. Cylinders, Discs, and Vision	000
 5. A Consumer Business or a Business Technology?	000
 6. "A&R": Artists and Repertoire	000
 7. Speaking of Money, and the Jukebox	000
 8. Toward Mass Production	000
 9. Recording and Recordings	000
10. Sound, Quality, and Topicality	000
11. A Popular Product and a Consumer Market	000
12. A&R in the Early Years-Styles and Genres	000
13. Of Places, Performers, and Songs	000
14. Type, Style, Genre, Tempo	000
15. Most of the Music	000
16. Immigration and Recordings	000
17. Culture Swing-The Ethnic Recordings	000
18. Images, Music, and the Inevitable Transition	000
19. The Caruso Effect	000
20. Enter Marconi	000
Appendix 1. Recordings in Popular Non-Ethnic Genres, 1889-1919	000
Appendix 2. Ethnic Recordings, 1889-1919	000
Notes	000
Bibliography	000
Index	000

Library of Congress Subject Headings for this publication:

Sound recordings -- History.
Sound -- Recording and reproducing -- History.
Sound recording industry -- History.