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Contents Notes on Contributors Chronology Introduction: Diana E. Henderson 1. Authorship: Getting Back to Shakespeare: Whose Film is it anyway? Elsie Walker 2. Cinema Studies: 'Thou dost usurp authority': Beerbohm Tree, Reinhardt, Olivier, Welles, and the Politics of Adapting Shakespeare Anthony Guneratne 3. Theatricality: Stage, screen and nation: Hamlet and the space of history Robert Shaughnessy 4. The Artistic Process: Learning from Campbell Scott's Hamlet Diana E. Henderson 5. Cinematic Performance: Spectacular Bodies: Acting + Cinema + Shakespeare Barbara Hodgdon 6. Gender Studies: Shakespeare, Sex and Violence: Negotiating Masculinities in Branagh's Henry V and Taymor's Titus Pascale Aesbischer 7. Globalization: Figuring the Global/Historical in Filmic Shakespearean Tragedy Mark Thornton Burnett 8. Cross-Cultural Interpretation: Reading Kurosawa reading Shakespeare Anthony Dawson 9. Popular Culture: Will of the People: Recent Shakespeare Film Parody and the Politics of Popularization Douglas Lanier 10. Television: Brushing Up Shakespeare: Relevance and Televisual Form Roberta Pearson and William Uricchio 11. Remediation: Hamlet among the Pixelvisionaries: Video Art, Authenticity and 'Wisdom' in Almereyda's Hamlet Peter S. Donaldson Afterword Kate McLuskie Select Bibliography Index
Library of Congress Subject Headings for this publication:
Shakespeare, William, 1564-1616 -- Film and video adaptations.
English drama -- Film and video adaptations.