Table of contents for Women and experimental filmmaking / edited by Jean Petrolle and Virginia Wright Wexman.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
 Acknowledgments
 Introduction
 1. Leslie Thornton, Su Friedrich, and Abigail Child
 Leslie Thornton, Su Friedrich, Abigail Child, and American
 Avant-Garde Film of the Eighties
 William Wees
 2. Chantal Akerman
 Chantal Akerman's Revisionist Aesthetic
 Jerry White
 3. Maya Deren and Germaine Dulac
 The Violence of Desire in Avant-Garde Films
 Maureen Turim
 4. Nina Menkes
 Allegory, Politics, and the Avant-Garde
 Jean Petrolle
 5. Lourdes Portillo, Rea Tajiri, and Cheryl Dunye
 History and Falsehood in Experimental Autobiographies
 Kathleen McHugh
 6. Sally Potter
 Passion, Politics, and Production in The Tango Lesson
 Lucy Fischer
 7. Yvonne Rainer
 Yvonne Rainer's Avant-Garde Melodramas
 Patricia Levin
 8. Safi Faye and Trinh T. Minh-ha
 Safi Faye and Trinh T. Minh-ha
 Gwendolyn Audrey Foster
 9. Faith Hubley and Caroline Leaf
 Two Sisters
 Amy Lawrence
 10. Marie Menken, Carolee Schneemann, Marjorie Keller, Anne
 Charlotte Robertson and Rose Lowder
 Avant-Gardens
 Scott MacDonald
 Bibliography
 Filmography
 Distributor Contact Information
 Contributor Information

Library of Congress Subject Headings for this publication:

Experimental films -- History and criticism.
Women motion picture producers and directors -- Biography.