Table of contents for A companion to narrative theory / edited by James Phelan and Peter J. Rabinowitz.

Bibliographic record and links to related information available from the Library of Congress catalog.

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TABLE OF CONTENTS
Notes on Contributors
Introduction: James Phelan (Ohio State University) and Peter J. Rabinowitz (Hamilton College)
PROLOGUE
1. Histories of Narrative Theory (I):A Genealogy of Early Developments: David Herman (Ohio State University)
2. Histories of Narrative Theory (II): From Structuralism to the Present: Monika Fludernik (University of Freiburg)
3. Ghosts and Monsters: On the (Im)Possibility of Narrating the History of Narrative Theory: Brian McHale (Ohio State University)
PART I: NEW LIGHT ON STUBBORN PROBLEMS
4. Resurrection of the Implied Author: Why Bother? Wayne C. Booth (University of Chicago)
5. Reconceptualizing Unreliable Narration: Synthesizing Cognitive and Rhetorical Approaches: Ansgar F. Nünning (Justus-Liebig-University of Giessen)
6. Authorial Rhetoric, Narratorial (Un)Reliability, Divergent Readings: Tolstoy's Kreutzer Sonata: Tamar Yacobi (Tel-Aviv University)
7. Henry James and "Focalization," or Why James Loves Gyp: J. Hillis Miller (University of California at Irvine)
8. What Narratology and Stylistics Can Do for Each Other: Dan Shen (Peking [Beijing] University)
9. The Pragmatics of Narrative Fiction: Richard Walsh (University of York)
PART II: REVISIONS AND INNOVATIONS
10. Beyond the Poetics of Plot: Alternative Forms of Narrative Progression and the Multiple Trajectories of Ulysses: Brian Richardson (University of Maryland)
11. They Shoot Tigers, Don't They?: Path and Counterpoint in The Long Goodbye: Peter J. Rabinowitz (Hamilton College)
12. Spatial Poetics and Arundhati Roy's The God of Small Things: Susan Stanford Friedman (University of Wisconsin-Madison)
13. The "I" of the Beholder: Equivocal Attachments and the Limits of Structuralist Narratology: Susan S. Lanser (Brandeis University)
14. Neonarrative; or, How to Render the Unnarratable in Realist Fiction and Contemporary Film: Robyn R. Warhol (University of Vermont)
15. Self-Consciousness as a Narrative Feature and Force: Tellers vs. Informants in Generic Design: Meir Sternberg (Tel-Aviv University)
16. Effects of Sequence, Embedding, and Ekphrasis in Poe's "The Oval Portrait": Emma Kafalenos (Washington University in St. Louis)
17. Mrs. Dalloway's Progeny: The Hours as Second-Degree Narrative: Seymour Chatman (University of California, Berkeley)
PART III: NARRATIVE FORM AND ITS RELATIONSHIP TO HISTORY, POLITICS, AND ETHICS
18. Genre, Repetition, Temporal Order:Some Aspects of Biblical Narratology: David H. Richter (CUNY)
19. Why Won't Our Terms Stay Put?: The Narrative Communication Diagram Scrutinized and Historicized: Harry E. Shaw (Cornell University)
20. Gender and History in Narrative Theory: The Problem of Retrospective Distance in David Copperfield and Bleak House: Alison Case (Williams College)
21. Narrative Judgments and the Rhetorical Theory of Narrative: Ian McEwan's Atonement: James Phelan (Ohio State University)
22. The Changing Faces of Mount Rushmore: Collective Portraiture and Participatory National Heritage: Alison Booth (University of Virginia)
23. The Trouble with Autobiography: Cautionary Notes for Narrative Theorists: Sidonie Smith (University of Michigan) and Julia Watson (Ohio State University)
24. On a Postcolonial Narratology: Gerald Prince (University of Pennsylvania)
25. Modernist Soundscapes and the Intelligent Ear: An Approach to Narrative Through Auditory Perception: Melba Cuddy-Keane (University of Toronto)
26. In Two Voices, or: Whose Life/Death/Story Is It, Anyway? Shlomith Rimmon-Kenan (Hebrew University of Jerusalem) 
PART IV: BEYOND LITERARY NARRATIVE
27. Narrative in and of the Law: Peter Brooks (University of Virginia)
28. Second Nature, Cinematic Narrative, the Historical Subject, and Russian Ark: Alan Nadel (Rensselaer Polytechnic Institute)
29. Narrativizing the End: Death and Opera: Linda Hutcheon (University of Toronto) and Michael Hutcheon (University of Toronto)
30. Music and/as Cine-Narrative or: Ceci n'est pas un leitmotif: Royal S. Brown (City University of New York)
31. Classical Instrumental Music and Narrative: Fred E. Maus (University of Virginia)
32. "I'm Spartacus!": Catherine Gunther Kodat (Hamilton College)
33. Shards of a History of Performance Art: Pollock and Namuth Through a Glass, Darkly: Peggy Phelan (Stanford University)
EPILOGUE
34. Narrative and Digitality: Learning to Think With the Medium: Marie-Laure Ryan (author)
35. The Future of All Narrative Futures: H. Porter Abbott (University of California, Santa Barbara)
Glossary
Index

Library of Congress Subject Headings for this publication:

Narration (Rhetoric).