Bibliographic record and links to related information available from the Library of Congress catalog.
Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.
Contents List of Contributors vii Introduction ix PART I: PRE-EXISTING CLASSICAL FILM SCORES 1 Ears wide open: Kubrick's Music Claudia Gorbman 1 2 Classical Music, Ambiguity and Film Mike Cormack 19 3 The Godfather Part III: Film, Opera and the Generation of Meaning Lars Franke 31 4 High and Low Culture: Bizet's Carmen and the Cinema Ann Davies 46 5 Reconsidering Amadeus: Mozart as Film Music Jeongwon Joe 57 6 The Troll Amongst Us Kristi A. Brown 74 PART II: POPULAR MUSIC AND FILM 7 Queer Pleasures: The Bolero, Camp and Almodóvar Vanessa Knights 91 8 Music, Electricity, and the 'Sweet Mystery of Life' in Young Frankenstein Raymond Knapp 105 9 Popular Song as Leitmotiv in Pulp Fiction and Trainspotting Ronald Rodman 120 10 The Fabulous Destiny of the Accordion in French Cinema Phil Powrie 138 11 Vinyl Communion: The Record as Ritual Object in Girls' Rites-of-Passage Films Robynn Stilwell 153 12 Narrating Sound: The Pop Video in the Age of the Sampler Timothy Warner 168 Filmography 181 Bibliography 189 Index 200
Library of Congress Subject Headings for this publication:
Motion picture music -- History and criticism.
Motion picture music -- Analysis, appreciation.