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Contents Acknowledgments Introduction 1. Shards: Allegory as Historical Procedure Eureka, Ernie Gehr Dal Polo all'Equatore, Yervan Gianikian/Angela Ricci-Lucci Tribulation 99: Alien Anomalies under America, Craig Baldwin 2. Shadows: Historical Temporalities 1 The Man without a World, Eleanor Antin Urban Peasants, Ken Jacobs Cooperation of Parts, Daniel Eisenberg 3. Virtualities: Historical Temporalities 2 Allemagne année 90 neuf zeró, Jean-Luc Godard Persistence, Daniel Eisenberg The B/Side, Abigail Child Utopia, James Benning 4. Specters: The Limits of Representing History Signal-Germany on the Air, Ernie Gehr Killer of Sheep, Charles Burnett The March, Abraham Ravett Un vivant qui passe, Claude Lanzmann 5. Obsessive Returns: Filmmaking as Mourning Work El día que me quieras, Leandro Katz Chile: la memoria obstinada, Patricio Guzm n Coda: Notes on History and the Postcinema Condition Rock Hudson's Home Movies, Mark Rappaport Dichotomy, Tony Sinden Beyond, Zoe Beloff Notes Bibliography Filmography and Distributors Permissions Index
Library of Congress Subject Headings for this publication:
Historical films -- History and criticism.
Experimental films -- History and criticism.