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Table of Contents Those of us who attended Professor CazeauxÆs seminars will doubtless recall the familiar call to worship, à la française, which introduced most of her lecturesùôin this matter . . . ö, or ôin the matter of . . . ö. Accordingly, this Table of Contents has been organized alphabetically by various ômattersö of musicology and subsquently by author. Tabula Gratulatoria viii Greetings ix Curriculum Vitae xiii Foreword ixx Matters of Authenticity ChopinÆs Polish Rhapsody 1 - Ferdinand Gajewski, Harvard University Matters Folkloric LÆemprunt, facteur de renouvellement musical dans les pays celtiques 5 - Yves Defrance, Université de Rennes II Gibbons in the Budapest Zoo: Reflections on Hungarian Folksong 19 - James Kidd, Hampden-Sydney College Folklore and Reminiscence in Claude Debussy 37 - Virginia Raad, Université de Paris-Sorbonne Matters Instrumental Frédéric Triebert (1813-1878), Designer of the Modern Oboe: 49 Newly Found Archival Documents Featuring the Inventory and Auction of his Musical Instrument Enterprise - Tula Giannini, Pratt Institute Marking the Accord of Instrument and Style, 1709-1768 91 - Sally C. Park, Bryn Mawr College Matters Naval Jean Cras, the Scientist: An Explication of his Navigational Ruler- 105 Compass, La règle-rapporteur Cras - Allan P. Archer, Department of Physics, University of Illinois; Lockeed- Martin Corporation Matters Novel Album-Leaf, for piano 109 - John Davison, Haverford College Matters Operatic Naturaliste et Dreyfusard : Alfred Bruneau, compositeur engagé 113 - Jean-Max Guieu, Georgetown University Deconstructive Melodrama in the Hamlet of Ambroise Thomas 129 - John Harrison, University of Northern Colorado Judith Gautier et les traductions de Parsifal 145 - Danièle Pistone, Université de Paris-Sorbonne Gawain in Opera 159 - Jerome V. Reel, Clemson University Matters Operettic The Border Territory between Classical and Broadway: A Voyage 179 Around and About Four Saints in Three Acts and West Side Story - Ralph P. Locke, Eastman School of Music Manuel de FallaÆs Early Works for the Theater 227 - Elizabeth Seitz, Boston University Matters of Perception Point-counter-point: Schoenberg meets Bach 237 - John Daverioå, Boston University The Problems of Musical Hermeneutics 255 - Edward Lippman, Columbia University (Emeritus) Matters of Reception From Haus to Konzerthaus: Orchestrations of SchubertÆs 277 Erlkönig and other Lieder - Christopher H. Gibbs, Bard College Chopin, The Listener 291 - Anthony Zielonka, Assumption College Matters of the Renaissance Music for the Royal Entrée into Paris, 1453-1517 305 - Stephen Bonime, Bryn Mawr College Words for MarenzioÆs Five-Voice Madrigals 321 - Hiroko Kishimoto, Tokyo University of Fine Arts and Music Matters of Revival The Romantic Violinist-Composer: Pro-active Artist Before 349 a Susceptible Publicù A Personal View - Charles Castleman, Eastman School of Music Ravel Writes to Jean Cras: Three Unpublished Letters 365 - His Most Serene Highness, Prince Didier Le Drontheux dÆUstou, Université de Paris-Sorbonne Matters Sacred The Cantus Firmus of JosquinÆs Missa Hercules dux Ferrarie 377 -Alexander Blachly, University of Notre Dame When Kol Nidrei is not Kol Nidrei: Synagogue Reform in 395 Aarhus, Denmark - Rabbi Daniel S. Katz, Duke University Matters Secular ôFair Winds and Following Seasö : Jean CrasÆs Journal de bord: 443 Suite symphonique or Suite symbolique ? - Paul-André Bempéchat, Harvard University Some Aspects of Parallel Harmony in Claude Debussy 459 - Mark DeVoto, Tufts University (Emeritus) Monsieur Hémiole 487 - Joel L. Sheveloff, Boston University
Library of Congress Subject Headings for this publication:
Music -- History and criticism.