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Contents Foreword Peter C. Marzio Acknowledgments Lenders to the Exhibition Introduction Mari Carmen Ramírez and Héctor Olea A Highly Topical Utopia: The Exhibition as Heterotopia Mari Carmen RamírezThe Constellations Universal and Vernacular Anthropophagic Utopia: Barbarian Metaphysics Benedito Nunes Xul's Innermost Experience: The Verbivocovisual Presentiment Héctor Olea Inversions: The School of the South Mari Carmen Ramírez Parcours Play and Grief Of Terrorism in the Arts Ángel Rama Posh Art and Post-Historic Art: Argentina (1957@-1965) Marcelo Pacheco The Anti-Aesthetics of an Art of Chaos Héctor Olea Furniture as Frame Marta Traba Parcours Progression and Rupture Vital Structures: The Constructive Nexus in South America Mari Carmen Ramírez The Ruptura Group and Concrete Art Ana Maria Belluzzo Parcours Vibrational and Stationary The Vertical Screen Olivier Debroise Neither Here Nor There Ariel Jiménez Gego and the Analytic Context of Cinetismo Luis Pérez Oramas Parcours Touch and Gaze Julio Le Parc, Promoter of Technological Art Saúl Yurkiévich The Hand and the Glove Paulo Herkenhoff To Return Earth to the Earth: A Paradox of Containment Guy Brett Parcours Cryptic and Committed On the Subject of Waldemar Cordeiro's Popcretos Max Bense The Critical Painting of José Balmes Justo Pastor Mellado León Ferrari, from the Drawing of Texts to the Texture of Poetry Héctor Olea Tactics for Thriving on Adversity: The Origins of Conceptualism in Latin Americ Mari Carmen Ramírez Parcours Versions, Inversions, Subversions: The Artist as Theoretician Héctor Olea Documents Dogma and Resistance Universal and Vernacular Play and Grief Progression and Rupture Vibrational and Stationary Touch and Gaze Cryptic and Committed Biographies Exhibition Checklist MFAH Credits Rights and Reproductions Credits
Library of Congress Subject Headings for this publication: Art, Latin American 20th century Exhibitions, Avant-garde (Aesthetics) Latin America History 20th century Exhibitions