Table of contents for Irish national cinema / Ruth Barton.

Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

Irish National Cinema
Table of Contents (with word count)
Part One
From the silent era to the 1960s, an historical overview
Chapter One - Irish Cinema - National Cinema? (5,166 words) ........... 1
From nationalist politics to identity politics -conceptualizing Irish cinema.
Chapter Two - A Silent Revolution (10, 339 words) ......................... 21
The reception and making of Irish-themed films in Ireland and America before and 
immediately after the Easter Rising of 1916.
Chapter Three - Contested Images (15, 457 words) .......................... 61
Filmmaking and viewing in the early days of the Free State; immigrant narratives of 
exile and assimilation.
Chapter Four - Negotiating Modernisation (8, 874 words) ....................... 109
From World War II to the 1960s - the beginnings of an industry and the influence of 
John Ford.
Part Two
Issues and debates in contemporary Irish cinema
Chapter Five - Irish Independents (8, 802 words) ............................. 143
The emergence of a critical, independent cinema in the 1970s and 1980s.
Chapter Six - The Second Film Board Years (3, 892 words) .................. 177
The re-establishment of the Irish Film Board and its policies, 1993 to the present.
Chapter Seven - The Deflowering of Irish Cinema (7, 392 words)............ 195
Gender in contemporary Irish cinema.
Chapter Eight - Another Country (9,103 words) ................................. 222
The representation of history and the past.
Chapter Nine - From History to Heritage (3, 703 words) ........................ 256
Defining the Irish heritage film.
Chapter Ten - Northern Ireland (10, 904 words) ................................. 270
The Troubles and the peace process in indigenous and non-indigenous filmmaking.
Chapter Eleven - Inclusion/Exclusion/ Conclusion (5, 228 words)...............311
The regions and the margins in contemporary Irish filmmaking.
Appendix One (553 words) ............................................................332
Bibliography - (3, 371 words).........................................................335
 

Library of Congress Subject Headings for this publication: Motion pictures Ireland History