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Contents Acknowledgments Introduction 1. In the Beginning: Mastroianni, Masculinity, and Italian Cinema 2. Undressing the Latin Lover: La dolce vita, Fashion, and Italian Masculinity 3. Masculinity, Sicilian Style: Il bell'Antonio and Divorce--Italian Style 4. "Remember, It's a Comedy": Mastroianni in the Films of Federico Fellini 5. The Inetto versus the Unruly Woman: Mastroianni and Sophia Loren 6. Remembrance of Films Past: Mastroianni and the Aging Male Body Conclusion: Cinema, Memory, and a Voyage at the End of Life's Journey Notes Bibliography Index
Library of Congress Subject Headings for this publication: Mastroianni, Marcello, 1924- Criticism and interpretation, Latin lovers in motion pictures Italy, Masculinity in motion pictures