Table of contents for The remasculinization of Korean cinema / Kyung Hyun Kim.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Table of Contents
Introduction: Hunting for the Whale 
I. Genres of Post-Trauma 
1. At the Edge of a Metropolis in A Fine Windy Day and Green Fish 
2. Nowhere to Run: Disenfranchised Men on the Road in The Man with Three Coffins, Sopyonje, and Out to the World 
3. "Is this How the War is Remembered?": Violent Sex and Korean War in Silver Stallion, Spring in My Hometown, and The Taebaek Mountains
4. Post-Trauma and Historical Remembrance in A Single Spark and A Petal 
II. New Korean Cinema Auteurs 
5. Male Crisis in the Early Films of Park Kwang-su 
6. Jang Sun-woo's Three "F" Words: Familism, Fetishism, and Fascism 
7. Too Early/Too Late: Temporality and Repetition in Hong Sang-su's Films 
III. Fin-de-siècle Anxieties 
8. Lethal Work: Domestic Space and Gender Troubles in Happy End and The Housemaid
9. "Each Man Kills the Thing He Loves": Transgressive Agents, National Security, and Blockbuster Aesthetics in Shiri and Joint Security Area
Notes
Filmography
 

Library of Congress Subject Headings for this publication: Motion pictures Korea (South)Men in motion pictures, Masculinity in motion pictures