Table of contents for Sam Peckinpah's West : new perspectives / edited by Leonard Engel.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
  Acknowledgments. . . . . . . . . . . . . . . . . . . . . . .v
       Introduction: A Terrible Beauty Is Born: Peckinpah's Vision of the West
       by John M. Gourlie and Leonard Engel. . . . . . . . . 00
       Chapter 1: Auguries of Redemption: Peckinpah's Mythological Critique of American
       History
       by Armando Jos, Prats . . . . . . . . . . . . . . . . 00
       Chapter 2: Comic Elements in Peckinpah's The Westerner
       by Philip J. Skerry . . . . . . . . . . . . . . . . . 00
       Chapter 3: The Double Vision of Tragedy in Ride the High Country
       by John L. Simons . . . . . . . . . . . . . . . . . . 00
       Chapter 4: "Fall in behind the Major": Cultural Border Crossing and Hero Building in
       Major Dundee
       by Matt Wanat . . . . . . . . . . . . . . . . . . . . 00
       Chapter 5: Peckinpah's Epic Vision: The Wild Bunch and The Ballad of Cable Hogue
       by John M. Gourlie. . . . . . . . . . . . . . . . . . 00
       Chapter 6: Divining Peckinpah: Religious Paradigm and Ideology in Convoy and The
       Ballad of Cable Hogue
       by Frank Burke. . . . . . . . . . . . . . . . . . . . 00
       Chapter 7: Junior Bonner: Old West, New West or the Antinomies of the Father
       by Richard Hutson . . . . . . . . . . . . . . . . . . 00
       Chapter 8: Don't Mess with Texas: Recuperating Masculinity in The Getaway
       by Stephen Tatum. . . . . . . . . . . . . . . . . . . 00
       Chapter 9: "Who Are You?" "That's a Good Question": Shifting Identities in Sam
       Peckinpah's Pat Garrett and Billy the Kid
       by Leonard Engel. . . . . . . . . . . . . . . . . . . 00
       Chapter 10: "We're Always Moving": Sam Peckinpah's Making of Convoy
       by Elaine Marshall. . . . . . . . . . . . . . . . . . 00
       Chapter 11: Ford, Peckinpah, and the Advantages of Making (Many) Westerns
       by Robert Merrill . . . . . . . . . . . . . . . . . . 00
       Chapter 12: The Killer Elite and the Critics: A Note on the Art of Interpretation
       by Leonard Engel. . . . . . . . . . . . . . . . . . . 00
  Sam Peckinpah Filmography. . . . . . . . . . . . . . . . . 00
  Contributors . . . . . . . . . . . . . . . . . . . . . . . 00
  Index. . . . . . . . . . . . . . . . . . . . . . . . . . . 00
  
       
  
 

Library of Congress Subject Headings for this publication: Peckinpah, Sam, 1925-1984 Criticism and interpretation