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Contents Acknowledgments Introduction 1. Establishing a Tonal Center 2. Music as Cultural Marker in German Film 3. History on the Soundtrack: The Example of Beethoven's Ninth 4. A Wagnerian German Requiem: Syberberg's Hitler (1977) 5. Alexander Kluge's Songs without Words: Die Patriotin (1979) 6. Fassbinder's Compromised Request Concert: Lili Marleen (1980) 7. The Great Eclecticism of the Filmmaker Werner Herzog 8. Pivot Chords: Austrian Music and Visconti's Senso (1954) Conclusion: Film Music and Cultural Memory Notes Select Bibliography Index
Library of Congress Subject Headings for this publication:
Motion pictures and music -- Germany.
Motion picture music -- Germany -- History and criticism.
National socialism and motion pictures.