Table of contents for From Renaissance to Baroque : change in instruments and instrumental music in the seventeenth century : proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St. John, York, 2-4 July 1999 / edited by Jonathan Wainwright and Peter Holman.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
Preface	vii
Acknowledgements	ix
List of Illustrations	x
List of Figures	xiii
List of Tables	xiv
List of Musical Examples	xv
Notes on Contributors	xvii
Introduction: From 'Renaissance' to 'Baroque'?
	Jonathan P. Wainwright	1
1	Baptiste's Hautbois: The Metamorphosis from Shawm to 
	Hautboy in France, 1620-1670
	Bruce Haynes	23
2	A Commentary on the Letter by Michel de La Barre Concerning
	the History of Musettes and Hautboys
	Marc Ecochard	47
3	The Woodwind Instruments of Richard Haka (1645/6-1705)
	Jan Bouterse	63
4	Basstals or Curtoons: The Search for a Transitional Fagott
	Graham Lyndon-Jones	73
5	The Iconographic Background to the Seventeenth-Century Recorder
	Anthony Rowland-Jones	87
6	The Renaissance Flute in the Seventeenth Century
	Nancy Hadden	113
7	The Flute at Dresden: Ramifications for Eighteenth-Century 
	Woodwind Performance in Germany
	Mary Oleskiewicz	145
8	How did Seventeenth-Century English Violins Really Sound?
	Peter Trevelyan	167
9	The Development of French Lute Style 1600-1650
	Matthew Spring	173
10	The Early Air de Cour, the Theorbo, and the Continuo Principle 
	in France
	Jonathan Le Cocq	191
11	From Stops Organical to Stops of Variety: The English Organ 
	from 1630 to 1730
	Dominic Gwynn	211
12	Upgrading from Consorts to Orchestra at the Württemberg Court
	Samantha Owens	227
13	From Violin Band to Orchestra
	Peter Holman	241
14	Organological Gruyère
	Jeremy Montagu	259
Workshop reports
1	J.S. Bach's Actus tragicus: 'Gottes Zeit ist die allerbeste Zeit'
	(BWV 106)
	Andrew Parrott	269
2	The French Baroque Orchestra: Lully, Charpentier, Couperin
	Graham Sadler	271
Bibliography
	Books and Articles	275
	Music	299
Index	307

Library of Congress Subject Headings for this publication:

Musical instruments -- 17th century -- History -- Congresses.
Instrumental music -- 17th century -- History and criticism -- Congresses.