Table of contents for A line of sight : American avant-garde film since 1965 / Paul Arthur.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
Acknowledgments
Introduction
1. Routines of Emancipation: Jonas Mekas and Alternative Cinema in the Ideology and 	Politics of the Sixties
2. Identity and/as Moving Image
3. The Redemption of the City
4. The Resurgence of History and the Avant-Garde Essay Film
5. The Last of the Last Machine?
6. The Western Edge: Oil of L.A. and the Machined Image
7. Springing Tired Chains: African American Experimental Film and Video
8. Bodies, Language, and the Impeachment of Vision: The Avant-Garde at Fifty
9. "I Just Pass My Hands over the Surface of Things": On and off the Screen, circa 2003
Appendix: Lines of Sight (A Travelogue)
Notes
Permissions
Index

Library of Congress Subject Headings for this publication:

Experimental films -- United States -- History and criticism.