Table of contents for Expressive forms in Brahms's instrumental music : structure and expression in his Werther quartet / Peter H. Smith.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
Acknowledgments
[PART TITLE]Introduction
1. Quintessential Brahms and the Paradox of the C-Minor Piano Quartet: A Representative yet 
Exceptional Work
[PART TITLE]Part I
2. Analytical Preliminaries: Brahms's Sonata Forms and the Idea of Dimensional Counterpoint
3. A Schoenbergian Perspective: Compositional Economy, Developing Recapitulation, and 
Large-Scale Form
4. Brahms and Schenker: A Mutual Response to Sonata Form
5. Brahms's Expository Strategies: Two-Part Second Groups, Three-Key Expositions, and Modal 
Shifts
[PART TITLE]Part II
6. Toward an Expressive Interpretation: Correlations for Suicidal Despair
7. Intertextual Resonances: Tragic Expression, Dimensional Counterpoint, and the Great C-
Minor Tradition
Notes
Bibliography
Index

Library of Congress Subject Headings for this publication:

Brahms, Johannes, 1833-1897. Quartets, piano, strings, no. 3, op. 60, C minor.
Brahms, Johannes, 1833-1897 -- Criticism and interpretation.