Table of contents for Acting for singers : creating believable singing characters / David F. Ostwald.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Table of Contents
Introduction											p. 1
Part I Believability: The Territory and the Tools						p. 7
Chapter 1 The Divine Marriage: Combining Believable Acting with Expressive Singing	p. 8	Exercises										p.21
Chapter 2 To Become or Not to Become: Using Yourself to Create a Believable
Character											p. 31
Exercises										p. 40
Chapter 3 Playing in the Moment: Using Improvisation to Be Believable			p. 49
Exercises										p. 59
Ideas for Improvisations								p. 64
Chapter 4 Judgements and Trust: Improving Your Concentration				p. 71
Exercises										p. 79
Part II Creating Your Character								p. 88
Chapter 5 Neither Right nor Wrong: Making Believable Character Choices		p. 89
Exercises										p.94
Chapter 6 Your Character's Universe: Analyzing the Dramatic Structure of
 Music-Theater Pieces								p.102
Exercises										p.112
Chapter 7 Your Character's World: Fashioning a Theme Statement			p.115
Exercises										p.129
Chapter 8 Your Character's Heart's Desire: Fashioning Super-Objectives			p.133
Exercises										p.140
Chapter 9 Motivating Your Character's Actions: Fashioning Objectives and Acting Beats	p.143
Exercises 										p.160
Chapter 10 Your Character's Inner Voice: Fashioning Subtext				p.166
Exercises										p.178
Part III Preparing for Performances								p.183
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Chapter 11 Being Believable in Any Role on Any Stage: Heightening 			p.184
Exercises										p.201
Chapter 12 Getting the Part: Auditioning 							p.209
Exercises										p.224
Chapter 13 Getting good: Rehearsing							p.230
A Rehearsal Check Sheet								p.251
Exercises										p.254
Chapter 14 Delivering a Believable Character: Performing 					p.261
Exercises										p.276
Appendices
A. Ten Maxims of Believable Acting 							p.282
B. How to Analyze and Prepare Vocal material from the Dramatic Viewpoint: An 
Overview											p.284
C. A Short Glossary of Stage Terms								p.288
D. How to Research Period Practices in Movement, Manners and Gesture			p.291
E. Notes on the Exercises for Teachers and Directors					p.295

Library of Congress Subject Headings for this publication:

Acting -- Study and teaching.
Singing -- Instruction and study.