Table of contents for Wired for sound : engineering and technologies in sonic cultures / edited by Paul D. Greene and Thomas Porcello.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

Acknowledgments 000
chapter one
Introduction: Wired Sound and Sonic Cultures 000
	Paul D. Greene
chapter two
Reaching "Overseas": South African Sound Engineers, Technology, and Tradition 000
	Louise Meintjes
chapter three
"The Disc Is Not the Avenue": Schismogenetic Mimesis in Samba Recording 000
	Frederick J. Moehn
chapter four
Nigel Pegrum, "Didjeridu-Friendly Sections," and What Constitutes an "Indigenous" CD: An Australian Case Study of Producing "World Music" Recordings 000
	Karl Neuenfeldt
chapter five
Music Mediated as Live in Austin: Sound, Technology, and Recording Practice 000
	Thomas Porcello
chapter six
Media as Social Action: Native American Musicians in the Recording Studio 000
	Beverley Diamond
chapter seven
Engineering Techno-Hybrid Grooves in Two Indonesian Sound Studios 000
	Jeremy Wallach
chapter eight
Short-Circuiting Perceptual Systems: Timbre in Ambient and Techno Music 000
	Cornelia Fales
chapter nine
"Heaviness" in the Perception of Heavy Metal Guitar Timbres: The Match of Perceptual and Acoustic Features over Time 000
	Harris M. Berger and Cornelia Fales
chapter ten
Mixed Messages: Unsettled Cosmopolitanisms in Nepali Pop 000
	Paul D. Greene
chapter eleven
The Soundscape of the Radio: Engineering Modern Songs and Superculture in Nepal 000
	Ingemar Grandin
chapter twelve
Music and the Rise of Radio in Twenties America: Technological Imperialism, Socialization, and the Transformation of Intimacy 000
	Timothy D. Taylor
chapter thirteen
Afterword 000
	Thomas Porcello
List of Contributors 000
Index 000

Library of Congress Subject Headings for this publication:

World music -- History and criticism.
Sound -- Recording and reproducing.