Table of contents for Brand-name bullies : and their quest to own and control culture / David Bollier.

Bibliographic record and links to related information available from the Library of Congress catalog.

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Counter
Acknowledgments
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 									 
I. ART & CULTURE: USE ONLY AS DIRECTED . . . . . . . 
1. The Crusades to Lock Up Music . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
ASCAP Stops the Girl Scouts from Singing Around the Campfire . . . . . . . . . . . . 	 
The Blurry Line Between Originality and Copying . . . . . . . . . . . . . . . . . . . . . . . . . 
How Illegal Rap Sampling Revived the Music Business . . . . . . . . . . . . . . . . . . . . . 
The Sampling Sequel: Mash-ups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Copyright Colonizes the Subconscious Mind . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Copyrighting "Genetic Tunes" . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
2. Creativity and Captive Art . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Painting Mustaches on the Mona Lisa . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Illegal Art to Express Illicit Ideas . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
The Untold Legal Story Behind Andy Warhol's Art . . . . . . . . . . . . . . . . . . . . . . . 
The Dubious Calder Monopoly on Mobiles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 	
Old Man Potter Locks Up It's a Wonderful Life . . . . . . . . . . . . . . . . . . . . . . . . . . . 
3. Appropriating the People's Culture . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Vaudeville Comedy: Appropriation is the Seed of Originality . . . . . . . . . . . . . . . 
Shakespeare the Imitator . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Who Owns Folk Quilts and Needlepoint Patterns? . . . . . . . . . . . . . . . . . . . . . . . . 
Squabbling Over the Ownership of Gettysburg Ghost Stories . . . . . . . . . . . . . . . Disney Privatizes the Classics and Folk Tales. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Fan Fiction: You Are Not Allowed to Imagine Batman and Robin as Gay . . . . 
Who Owns Video-Game Characters? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
II. TRADEMARKING PUBLIC LIFE
4. Trademark Owners Whine, "No Making Fun of Me!" . . . . . . . . . . 
The Legal Lockdown of Barbie . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Straight Eye for Queer Trademark Intimidation 	. . . . . . . . . . . . . . . . . . . . . . . . 
Bully-Boy Fruit of the Loom Doesn't Think Underwear is Funny. . . . . . . . . . . . 
Superspy Shakedown: James Bond Roughs Up Austin Powers . . . . . . . . . . . . . 
The Grave Threat of Goofy T-Shirts. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Another Dangerous Art Form: Bawdy Spoofs . . . . . . . . . . . . . . . . . . . . . . . . . . 
	
5. The Corporate Privatization of Words . . . . . . . . . . . . . . . . . . . . . . . . . 
Who Owns Casablanca? Groucho Takes on the Studio Lawyers . . . . . . . . . . . . 	
McDonald's "Ownership" of 131 Words and Phrases . . . . . . . . . . . . . . . . . . . . 	
You Must be Socially Acceptable to Use the Word "Olympics" . . . . . . . . . . . . 
Only Fox News Can Claim to be Fair and Balanced . . . . . . . . . . . . . . . . . . . . . . 
Who Came First - Ralph Lauren or the Equestrians? . . . . . . . . . . . . . . . . . . . . . 
Patrolling the Boundaries of Mental Association . . . . . . . . . . . . . . . . . . . . . . . . 
The Value of Godzilla? Priceless . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
The Internet and the Rise of Super-Trademarks . . . . . . . . . . . . . . . . . . . . . . . . . 	
The Forbidden Words: This Corporation Sucks! . . . . . . . . . . . . . . . . . . . . . . . . 
6. Property Rights in Public Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Evoking Celebrity Personalities is Prohibited . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Can the Girl from Ipanema Call Herself The Girl From Ipanema?	. . . . . . . . . . .	 
Rosa Parks Battles Rappers for Cultural Control 	. . . . . . . . . . . . . . . . . . . . . .	 
Making a Statement with Larry, Curly and Moe . . . . . . . . . . . . . . . . . . . . . . . . 
III. THE COPYRIGHT WARS AGAINST AN OPEN SOCIETY
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7. The Theft of the Public Domain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Incentives to Dead Authors: The Copyright Term Extension Act . . . . . . . . . . 
Stealing Classical Music from the Public Domain . . . . . . . . . . . . . . . . . . . . . . . 
Who Owns the Dewey Decimal Classification System? . . . . . . . . . . . . . . . . . . . 	
West Publishing's Claim to Own Page Numbers - and the Law . . . . . . . . . . . . . 
Selling Monopoly Access to the Law . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Private Ownership of Sports Scores, Game Photos and Bestseller Lists . . . . . . 
How Spurious Copyrights Steal the Public Domain . . . . . . . . . . . . . . . . . . . . . . 
The Next Form of Private Property - Facts? . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
8. Stifling Public Dialogue Through Copyright . . . . . . . . . . . . . . . . . . . . . . 
Gerald Ford Privatizes the News . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Extra, Extra! Newspapers Snuff Out Free Expression! . . . . . . . . . . . . . . . . . . . . . . 
International Olympics Committee Legally Locks Up the News . . . . . . . . . . . . . . . 
I Have a Dream....that All Public Life Will Be Copyrighted . . . . . . . . . . . . . . . . . . 
Uppity Alice Randall and the Cultural Icon Protection Act . . . . . . . . . . . . . . . . . . . 
9. The DMCA's Attacks on Free Speech . . . . . . . . . . . . . . . . . . . . . . . . . . 
New Genres of Forbidden Research and Speech . . . . . . . . . . . . . . . . . . . . . . . . . . . 
You May Not Teach Your Robot Dog New Tricks . . . . . . . . . . . . . . . . . . . . . . . . 
These Words May Not Be Read Aloud	. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
The Ingenious Use of Copyright Law to Squelch Competition . . . . . . . . . . . . . . . . 
Those Notorious Weapons of Piracy - the Shift-Key and the Magic Marker! . . . . 
IV. ABSURD NEW FRONTIERS OF CONTROL 
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10. The Quest for Perfect Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
TV Executive: You Are Required to Watch the Ads . . . . . . . . . . . . . . . . . . . . . . . . 
Senator Hatch: Destroy the Computers of Infringers. . . . . . . . . . . . . . . . . . . . . . 
The Great Cultural Lockdown . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
The Morality Lectures of Industry Virtuecrats . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
11. Intellectual Property Goes Over the Top . . . . . . . . . . . . . . . . . . . . . . 
As Difficult as A(r), B(r), C(r) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
A Legal Monopoly Over Silence . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Owning the Smell of Freshly Cut Grass . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
No Photos, Please, in a Starbucks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Send in the Yoga Police! . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Patenting Side-to-Side Swinging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
12. Just Kidding or Dead-Serious? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Who Owns the "Frowny" Emoticon :( ?	. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .	 
Freedom of Expression(tm) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 	
Dialing for Dollars: Licensing the Music of Phone Tones . . . . . . . . . . . . . . . . . . 
Tanzania Loses Name to Tanning Salon Company, and Other Spoofs . . . . . . . . 
Conclusion: Reclaiming the Cultural Commons . . . . . . . . . . . . . . . . . . . . . . 
Bibliography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Sources. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 
Index. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 

Library of Congress Subject Headings for this publication:

Intellectual property -- United States.
Popular culture -- United States.