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Table of Contents Introduction by Eli Bartra. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 1 I. Sally Price (Suriname) Always Something New: Changing Fashions in a "Traditional Culture" . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 25 II. Norma Valle (Puerto Rico) The Emergence of the Santeras Strengthens Traditional Puerto Rican Art. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 46 III. Mari Lyn Salvador (Panama) Kuna Women's Arts: Molas, Meaning and Markets. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 63 IV. Dorothea Scott Whitten (Ecuador) Connections: Creative Expressions of Canelos Quichua Women. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. . 94 V. Eli Bartra (Mexico) Engendering Clay. Women Potters of Mata Ortiz. .. .. .. . 125 VI. Ronald J. Duncan (Colombia) Women's Folk Art in La Chamba. .. .. .. .. .. .. .. . 158 VII. Dolores Juliano (Argentina) The Mapuche Craftswomen . .. .. .. .. .. .. .. .. .. .. .. 207 VIII. María de Jesús Rodríguez-Shadow (Mexico) Women's Prayers: The Aesthetics and Meanings of Female Votive Paintings in Chalma. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 224 IX. Betty LaDuke (Mexico) Earth Magic: The Legacy of Teodora Blanco. .. .. .. 264 X. Lourdes Rejón Patrón (Mexico) Tastes, Colors, and Techniques of Embroidery in the Clothing of Mayan Women . .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 297
Library of Congress Subject Headings for this publication: Folk art Latin America, Folk art Caribbean Area, Women artists Latin America, Women artists Caribbean Area