Table of contents for What happened to Abraham? : reinventing the covenant in American Jewish fiction / Victoria Aarons.

Bibliographic record and links to related information available from the Library of Congress catalog.

Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

Acknowledgments	ÊÊ9
1. The Return of the Covenant: 
	Or, Whose Law is it, Anyway?	Ê13
2. Biblical Revisions and Interruptions: 
	Bernard Malamud's Renaming of Law and Covenant	Ê34 
3. Is it "Good-for-the-Jews or no-good-for-the-Jews"?: 
	Philip Roth's Registry of Jewish Consciousness	Ê64
4. Ancient Acts of Love and Betrayal: 
	Ethan Canin's "Batorsag and Szerelem"	Ê82
5. The Orthodoxy Unbound, or Moses in Suburbia: 
	Allegra Goodman's The Family Markowitz	104
6. The Legacy of the Disinherited: 
	Thane Rosenbaum's Holocaust Fiction	132
Notes	159
Bibliography	173
Index	177
I would like to thank Trinity University for granting me both a 
Faculty Summer Stipend and an Academic Leave in support of my 
research for this project. So, too, would I like to acknowledge the two 
anonymous readers of my manuscript for their encouraging and 
supportive comments on my book while still in manuscript form. 
Working on this book has been nothing but a pleasure, in large part 
because of my ongoing association with my colleagues and friends 
who gather each year at the Jewish American/Holocaust Literature 
Conference, sponsored by the American Literature Association and 
Florida Atlantic University's Judaic and Holocaust Studies Program. 
My participation in ongoing discussions on the range and 
complexities of Jewish literature and culture that take place there, 
matters both current and historical, has helped me enormously in the 
generation and articulation of my ideas for this book. This confer-
ence, initially organized by Gloria L. Cronin and Daniel Walden and 
later shaped by others, most notably Andrew Furman, who brought 
to the conference new voices among American Jewish fiction writers, 
has provided an invaluable forum for animated discussion, one 
unreservedly given to dispute, happily quarrelsome, but always 
entertaining, informative, and thought-provoking.
I would especially like to thank those whose unwavering support of 
my work has helped bring to clarity so many of my ideas in-the-
making, in particular Ben Siegel, Evelyn Avery, and Lillian Kremer. 
Peter Balbert, Chair of the Department of English during the time 
which I was writing the book, offered unfailing support of the project 
throughout. I would also like to acknowledge, with great affection 
and appreciation, family and friends whose stories and lives have 
come to shape my own and who have enriched my perception of 
generational continuity and change, especially Ted and Queta Aarons, 
John David Aarons, Shirley Prosnit, Lawrence Kimmel, William Breit, 
and Pauline and the late Walter Adams.
Chapter 3, "Is It ÔGood-for-the-Jews or No-Good-for-the-Jews'?: Philip 
Roth's Registry of Jewish Consciousness," originally appeared in 
Shofar: An Interdisciplinary Journal of Jewish Studies (Fall 2000): 7/
18, the editor of which has kindly granted me permission to reprint 
in somewhat altered form. I would like to thank Jay L. Halio, Special 
Issue Editor for this volume on Philip Roth for his close reading and 
for his most helpful suggestions during the early stages of the essay's 
design. I would also like to express my appreciation to Joseph C. 
Landis, editor of Modern Jewish Studies for warmly granting me 
permission to reprint chapter 4, "Ancient Acts of Love and Betrayal: 
Ethan Canin's ÔBatorsag and Szerelem,' " which initially appeared in 
Modern Jewish Studies 11 (1999): 15/36.
Sections from chapter 5 have been published in altered form as "The 
Covenant Unraveling: The Pathos of Cultural Loss in Allegra 
Goodman's Fiction," in SHOFAR (vol. 22, no. 3 Spring 2004), and I am 
grateful to the editor for warmly and readily granting me permission 
to reprint those parts here.
My deepest gratitude, as always, goes to Willis A. Salomon, who al-
ways knows what I mean to say, even when I can't quite say it, and 
who has read every word at least twice. He, too, has come to believe, 
as does Bernard Malamud's Manischevitz, that, indeed, "there are 
Jews everywhere."

Library of Congress Subject Headings for this publication:

American fiction -- Jewish authors -- History and criticism.
Jews -- United States -- Intellectual life.
Covenants -- Religious aspects -- Judaism.
Judaism and literature -- United States.
Judaism in literature.
Jews in literature.