Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.
Contents Acknowledgments Introduction 1. The Capitalist Theory of the Image The Iconoclastic Theory of the Image and the Corporation Congruence with the Capitalist Economy Critique of Baudrillard Critique of Barthes Debord and the Social Production of the Image Screening Out: Lacan's Mirror Stage and the Cinematic Apparatus Mulvey's Symbiosis of Woman and Image 2. Liberating a Woman from Her Image The Suitors Persian Narrative Structure and Activating the Audience The Story of the Veil The Story of the Sheep How Images Move the Story Around Character and the Mutable Image of the Veil The Stabbing Exit the Black Screen Suitcase 3. Relief from the Production of Certainties Overview: Peirce, Eisenstein, Manchevski The Icon as a Set of Relations Indexes: The Natural Image, Racism, Photography Why Eisenstein Has Been a Threat Before the Rain: An Iconic Film Women, Time, Photos "Have a Nice War. Take Pictures." Linear Narrative, Cubist Narrative Notes Selected Bibliography Index
Library of Congress Subject Headings for this publication: