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Contents Introduction: Sources and Scholarship, Interpretations and Inquiry ROBERTA MONTEMORRA MARVIN 1 A Collaboration between Cipriano de Rore and Baldissera Donato? JESSIE ANN OWENS 2 New Perspectives on Bach's Great Eighteen Chorales RUSSELL STINSON 3 Historical Theology and Hymnology as Tools for Interpreting Bach's Church Cantatas: The Case of Ich elender Mensch, wer wird mich erlösen, BWV 48 STEPHEN A. CRIST 4 Performance Practice Issues That Affect Meaning in Two Bach Instrumental Works MICHAEL MARISSEN 5 Mozart's Mitridate: Going beyond the Text ELLEN T. HARRIS 6 Carl Philipp Emanuel Bach and the Aesthetics of Patricide RICHARD KRAMER 7 Joseph Haydn's Influence on the Symphonies of Antonio Rosetti LAWRENCE F. BERNSTEIN 8 Reason and Imagination: Beethoven's Aesthetic Evolution MAYNARD SOLOMON 9 Schubert as Formal Architect: The Quartettsatz, D. 703 LEWIS LOCKWOOD 10 Sex, Sexuality, and Schubert's Piano Music JEFFREY KALLBERG 11 "La Belle Exécution": Johann Nepomuk Hummel's Treatise and the Art of Playing the Pianoforte MARK KROLL 12 "For You Have Been Rebellious against the Lord": The Jewish Image in Mendelssohn's Moses and Marx's Mose JEFFREY S. SPOSATO 13 Andrea Maffei's "Ugly Sin": The Libretto for Verdi's I masnadieri ROBERTA MONTEMORRA MARVIN 14 Mozart's Piano Concertos and the Romantic Generation CLAUDIA MACDONALD 15 "Wo die Zitronen blühn": Re-Versions of Arie antiche MARGARET MURATA 16 Material Culture and Postmodern Positivism: Rethinking the "Popular" in Late-Nineteenth-Century French Music JANN PASLER 17 Otto Gombosi's Correspondence at the University of Chicago LAURENCE LIBIN Contributors Index
Library of Congress Subject Headings for this publication: Music History and criticism