Table of contents for The queer composition of America's sound : gay modernists, American music, and national identity / Nadine Hubbs.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
Acknowledgments	000
Introduction. Composing Oneself 	000
1. Modernist Abstraction and the Abstract Art: Four Saints and the Queer Composition of 
America's Sound	000
2. Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America
	000
Intermezzo. My Dear Freddy: Identity Excesses and Evasions chez Paul Bowles	000
3. A French Connection: Modernist Codes in the Musical Closet	000
4. Queerness, Eruption, Bursting: U.S. Musical Modernism at Midcentury	000
Coda. Composing Oneself (Reprise)	000
Notes	000
Works Cited	000
Discography	000
Index	000




Library of Congress Subject Headings for this publication: Music United States 20th century History and criticism, National music United States History and criticism, Gay composers United States