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Contents Acknowledgments 000 Introduction. Composing Oneself 000 1. Modernist Abstraction and the Abstract Art: Four Saints and the Queer Composition of America's Sound 000 2. Being Musical: Gender, Sexuality, and Musical Identity in Twentieth-Century America 000 Intermezzo. My Dear Freddy: Identity Excesses and Evasions chez Paul Bowles 000 3. A French Connection: Modernist Codes in the Musical Closet 000 4. Queerness, Eruption, Bursting: U.S. Musical Modernism at Midcentury 000 Coda. Composing Oneself (Reprise) 000 Notes 000 Works Cited 000 Discography 000 Index 000
Library of Congress Subject Headings for this publication: Music United States 20th century History and criticism, National music United States History and criticism, Gay composers United States