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Contents Introduction: Richard W. McCormick and Alison Guenther-Pal 000 1. LATE WILHELMINE GERMANY Artists, Critics, and Scholars alfred doblin The Theatre of the Little People 000 herbert tannenbaum Art at the Cinema 000 malwine rennert An Abyss Not to Be Bridged 000 georg lukacs Thoughts on an Aesthetics of Cinema 000 walter serner Cinema and the Desire to Watch 000 hanns heinz ewers Film and I 000 malwine rennert War Films 000 emilie altenloh >From On the Sociology of the Cinema 000 All translated by Lance W. Garmer 2. WEIMAR REPUBLIC, 1918-33 Writers, Critics, Artists herber ihering An Expressionist Film 000 Translated by Lance W. Garmer claire goll American Cinema 000 Translated by Lance W. Garmer hugo von hofmannsthal The Substitute for Dreams 000 Translated by Lance W. Garmer carl einstein The Bankruptcy of German Film 000 Translated by Lance W. Garmer fritz lang The Artistic Composition of the Film Drama 000 Translated by Lance W. Garmer f. w. murnau The Ideal Picture Needs No Titles: By Its Very Nature the Art of the Screen Should Tell a Complete Story Pictorially 000 Translated by Theatre magazine Theorists bela balazs >From The Visible Human 000 Translated by Lance W. Garmer siegfried kracauer The Little Shopgirls Go to the Movies 000 Translated by Thomas Y. Levin bertolt brecht >From The Three Penny Trial 000 Translated by Lance W. Garmer rudolf arnheim >From Film 000 Translated by L. M. Seivking and Ian F. D. Morrow 3. NAZI GERMANY 1933-45--AND THOSE WHO FLED. . . . Artists and Bureaucrats in the "Third Reich" joseph goebbels Dr. Goebbels's Speech at the Kaiserhof on March 28, 1933 000 leni riefenstahl May the Strength and Beauty of Youth Have Found Cinematic Form 000 veit harlan History and Film 000 fritz hippler The Formative Power of Film 000 helmut kautner Gratitude toward the Theater 000 All translated by Lance W. Garmer Intellectuals in Exile max horkheimer and theodor w. adorno The Culture Industry: Enlightenment as Mass Deception 000 Translated by John Cumming siegfried kracauer Introduction to From Caligari to Hitler: A Psychological History of German Film 000 lotte h. eisner Introduction to The Haunted Screen: Expressionism in the German Cinema and the Influence of Max Reinhardt 000 Translated by Roger Greaves 4. POSTWAR GERMANY: 1945 TO THE PRESENT Film Artists wolfgang staudte A Letter to the Central Military Commander of the Soviet Occupation Zone 000 Translated by Lance W. Garmer gunter groll, helmut kautner, and walter talmon-gros Every Audience, as Everybody Knows, Has the Films It Deserves 000 Translated by Lance W. Garmer the oberhausen manifesto 000 Translated by Eric Rentschler alexander kluge What Do the "Oberhausers" Want? 000 Translated by Eric Rentschler wolfgang staudte A Reflection: Befouling Our Own Nest? 000 Translated by Lance W. Garmer wim wenders That's Entertainment: Hitler 000 Translated and abridged by Eric Rentschler helke sander Feminism and Film 000 Translated by Ramona Curry konrad wolf On the Possibilities of Socialist Film Art: Reactions to Mama, I'm Alive 000 Translated by Lance W. Garmer rainer werner fassbinder >From The Third Generation 000 Translated by Krishna Winston the manifesto of the women film workers 000 Translated by Eric Rentschler jutta bruckner Women's Films Are Searches for Traces 000 Translated by Antje Masten wolfgang kohlhaase DEFA: A Personal View 000 Translated by Margaret Vallance Critics, Scholars, and Theorists enno patalas On German Postwar Film 000 Translated by Lance W. Garmer theodor w. adorno Transparencies on Film 000 Translated by Thomas Y. Levin gertrud koch Ex-Changing the Gaze: Re-Visioning Feminist Film Theory 000 Translator unknown heide schluppmann Melodrama and Social Drama in Early German Cinema 000 Translated by Jamie Owen Daniel karsten witte The Indivisible Legacy of Nazi Cinema 000 Bibliography: Primary Sources 000
Library of Congress Subject Headings for this publication: Motion pictures, Motion pictures Germany