Table of contents for Closely watched films : an introduction to the art of narrative film technique / Marilyn Fabe.

Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.

List of Illustrations	000
Acknowledgments	000
Introduction	000
Chapter 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation
Chapter 2. The Art of Montage: Sergei Eisenstein's The Battleship Potemkin	000
Chapter 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and 
Charles Chaplin's "The Adventurer"	000
Chapter 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks' 
His Girl Friday	000
Chapter 5. Expressive Realism: Orson Welles' Citizen Kane	000
Chapter 6. Italian Neorealism: Vittorio De Sica's Bicycle Thief	000
Chapter 7.	 Auteur Theory and the French New Wave: François Truffaut's The 400 
Blows	000
Chapter 8. Hollywood Auteur: Alfred Hitchcock's Notorious	000
Chapter 9. The European Art Film: Federico Fellini's 8 1/2	000
Chapter 10. Film and Postmodernism: Woody Allen's Annie Hall	000
Chapter 11. Political Cinema: Spike Lee's Do The Right Thing	000
Chapter 12. 	Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids 
Singing	000
Chapter 13. Epilogue: Digital Video and New Forms of Narrative: Mike Figgis's Time 
Code	000
Glossary	000
Bibliography	000
Index	000

Library of Congress Subject Headings for this publication: Motion pictures Evaluation, Motion pictures