Table of contents for Closely watched films : an introduction to the art of narrative film technique / Marilyn Fabe.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
List of Illustrations	000
Acknowledgments	000
Introduction	000
Chapter 1. The Beginnings of Film Narrative: D.W. Griffith's The Birth of a Nation
	000
Chapter 2. The Art of Montage: Sergei Eisenstein's The Battleship Potemkin	000
Chapter 3. Expressionism and Realism in Film Form: F.W. Murnau's The Last Laugh and 
Charles Chaplin's "The Adventurer"	000
Chapter 4. The Conversion to Sound and the Classical Hollywood Film: Howard Hawks' 
His Girl Friday	000
Chapter 5. Expressive Realism: Orson Welles' Citizen Kane	000
Chapter 6. Italian Neorealism: Vittorio De Sica's Bicycle Thief	000
Chapter 7.	 Auteur Theory and the French New Wave: François Truffaut's The 400 
Blows	000
Chapter 8. Hollywood Auteur: Alfred Hitchcock's Notorious	000
Chapter 9. The European Art Film: Federico Fellini's 8 1/2	000
Chapter 10. Film and Postmodernism: Woody Allen's Annie Hall	000
Chapter 11. Political Cinema: Spike Lee's Do The Right Thing	000
Chapter 12. 	Feminism and Film Form: Patricia Rozema's I've Heard the Mermaids 
Singing	000
Chapter 13. Epilogue: Digital Video and New Forms of Narrative: Mike Figgis's Time 
Code	000
Glossary	000
Bibliography	000
Index	000




Library of Congress Subject Headings for this publication: Motion pictures Evaluation, Motion pictures