Table of contents for A simple twist of fate : Bob Dylan and the making of Blood on the tracks / Andy Gill & Kevin Odegard.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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Contents
Acknowledgments
Chapter 100
Chapter 200
Chapter 300
Interlude00
Chapter 400
Chapter 500
Chapter 600
Chapter 700
Chapter 800
Chapter 900
Chapter 1000
Appendix 1: Cue Sheets00
Appendix 2: Reviews00
Bibliography00
Special Thanks00
Index00
Acknowledgments
This book would not have been possible without the support given to us by our families, friends, neighbors, and 
colleagues who helped us on the path to our destination. All of you are very special to us, and we will always owe 
you our gratitude and appreciation. We would like to thank in particular Gary Diamond, who introduced the authors 
of the two geographic halves of this story to one another.
Very special thanks to Clinton Heylin, who was kind and generous in allowing us to quote from his Dylan biography, 
Behind the Shades; to David Hajdu for permission to quote from his book Positively 4th Street; to Larry Sloman for 
permission to quote from his tour memoir On the Road with Bob Dylan; to John Harris for allowing us to quote from 
his review of Hard Rain in Q magazine; and to Howard Sounes for permission to quote from his Dylan biography 
Down the Highway. Jann Wenner and his able staff provided us with everything we requested from Rolling Stone. 
Mr. Wenner's true generosity is sincerely appreciated. If we might also recommend the words of author Paul 
Williams to anyone interested in Bob Dylan, he will surely take you on a journey of appreciation and discovery, as 
will those of Al Aronowitz, who was kind enough to allow us to use material from his splendid website, The 
Blacklisted Journalist. Andy Gill would also like to thank his various editors at The Independent newspaper and 
Mojo, Word, and Uncut magazines for their patience in enduring stretched deadlines while he was working on this 
book. Finally, to our agent, Paul Bresnick at Carlisle & Co, and our editor, Ben Schafer at Da Capo Press, a 
thousand thanks for your patience, hard work, and enthusiasm in helping this project to fruition. To the lovely Linda, 
Mindy, and our families for putting up with our obsession: Please accept our love and appreciation for all you are to 
us.
Interviews conducted with every living member of the bands and personnel who recorded Blood on the Tracks were 
conducted with the utmost respect for those who remain among us. To Tony Brown, whose bass rings true through 
half of Blood on the Tracks, we wish you well and thank you for your magical contribution to Dylan's great work. 
We hope your life has been a happy one. You are not forgotten. God Bless Paul Griffin, may you rest in peace.




Library of Congress Subject Headings for this publication: Dylan, Bob, 1941- Blood on the tracks