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Contents Acknowledgments Surveying the Subject: An Introduction Part I. Social Subjectivity 1. Early Newsreel: The Construction of a Political Imaginary for the New Left 2. The "Real" in Fiction: Brecht, Medium Cool, and the Refusal of Incorporation 3. Warring Images: Stereotype and American Representations of the Japanese, 1941-1991 4. Lost, Lost, Lost: Mekas as Essayist Part II. The Subject in Theory 5. Charged Vision: The Place of Desire in Documentary Film Theory 6. The Subject in History: The New Autobiography in Film and Video 7. Filling Up the Hole in the Real: Death and Mourning in Contemporary Documentary Film and Video 8. Documentary Disavowals and the Digital 9. Technology and Ethnographic Dialogue 10. The Address to the Other: Ethical Discourse in Everything's for You Part III. Modes of Subjectivity 11. New Subjectivities: Documentary and Self-Representation in the Post-Verité Age 12. The Electronic Essay 13. Video Confessions 14. Domestic Ethnography and the Construction of the "Other" Self 15. The End of Autobiography or New Beginnings? (or, Everything You Never Knew You Would Know about Someone You Will Probably Never Meet) Notes Publication History Index
Library of Congress Subject Headings for this publication: Documentary films History and criticism