Table of contents for The expert versus the object : judging fakes and false attributions in the visual arts / edited by Ronald D. Spencer.


Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding.


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TABLE OF CONTENTS
Introduction
Ronald D. Spencer
Part I: Authentication and Connoisseurship
Authenticating the Attribution of Art:
Connoisseurship and the Law in the Judging of Forgeries, Copies, and False Attributions
Francis V. O'Connor
Rembrandt and a Brief History of Connoisseurship
Peter C. Sutton
On Forgeries
Max J. Friedländer
Issues of Authenticity in the Auction House
John L. Tancock
The Catalogue Raisonné
Michael Findlay
The Role of the Catalogue Raisonné in the Art Market
Peter Kraus
The Authentic Will Win Out: Eugene V. Thaw Interviewed by Ronald D. Spencer
Eugene V. Thaw
Attributing Old Master Drawings
No?l Annesley
Signature Identification: From Penstroke to Brushstroke
Patricia Siegel
The International Foundation for Art Research (IFAR)
Sharon Flescher
Museums and Authenticity Issues: Samuel Sachs, II Interviewed by Ronald Spencer
Samuel Sachs, II
Examining the Techniques and Materials of Painting
Rustin S. Levenson
Preservation and Authenticity in Contemporary Art
Rustin S. Levenson
Part II: Authentication and Law
The Art Expert, the Law, and Real Life 
Theodore E. Stebbins, Jr. 
The Risk of legal Liability for Attributions of Visual Art
Ronald D. Spencer
Authentication in Court: Factors Considered and Standards Proposed
Ronald D. Spencer
A Legal Decision in New York Gives Experts Protection for Their Opinions on Authenticity
Ronald D. Spencer
Establishing Authenticity in French Law
Van Kirk Reeves




Library of Congress Subject Headings for this publication: Art Forgeries, Art Expertising, Law and art